Musée de la danse
Fous de danse
Devised by Boris Charmatz
A Musée de la danse production / Centre chorégraphique national de Rennes et de Bretagne // With support from Fondation d’entreprise Hermès as part of its New Settings programme // Co-produced by CND Centre national de la danse (Pantin) ; Festival d’Automne à Paris // In association with Le CENTQUATRE-PARIS ; CND Centre national de la danse (Pantin) ; Festival d’Automne à Paris // The first edition of this event took place in Rennes on the 3rd May 2015, on the Esplanade Charles-de-Gaulle, in partnership with Les Champs Libres.
Detailed program on September
Initiated by the Musée de la danse, Fous de danse is an invitation to experience and practice dance in all its forms: warm-ups, participative choreographies, presentations of solos, duos and shows. The different bodies follow on from each other forming an ephemeral dancing community.
Founded by Boris Charmatz in 2009 with the idea of the radical enlargement of how we envisage dance - showing it, practicing it -, is the Musée de la danse a place, idea, act or collection? Launched in 2015 in Rennes, the Fous de danse event asks these questions once again but with the addition of two ingredients: the public space as a hub of physical, spatial, and territorial issues; and the audience’s total involvement - as actor, spectator or mass group in movement. Somewhere between festive event, manifestation, giant training session, participative work and real time evolutive sculpture, Fous de danse brings us back to the utopia of danse as a collective gesture: a place where movement creates something in common. It is also the utopia of a form of dance in which, far from opposing or dissipating them, the different genres and styles might co-exist, share their various approaches and be able to dialogue with each other through porosity. From classical ballet to the hip-hop battle, the giant Soul train to the contemporary solo, the presentation of duos to the warm-up, all these elements form an ephemeral territory of fluctuating borders, in which each of us can wander around - like a museum without walls, labels, or hierarchies.
In the same place
LIMINAL, Forensic Oceanography, Border Forensics From Sea to Sky
Featuring different works by the LIMINAL, Forensic Oceanography and Border Forensics collectives, the multimedia installation From Sea to Sky approaches intersectional immobility and frontier-based violence at sea. The objective is to highlight the way in which the Mediterranean maritime space has been transformed into a militarized border zone.
Lawrence Abu Hamdan Zifzafa
Zifzafa, is an arabic word to describe a wind that shakes and rattles all in its path. Here, it becomes the title of a performance of artist and researcher Lawrence Abu Hamdan, that enmeshes sonic composition, video game engines and spoken word, to immerse us in the heart of a movement to resist green colonialism in the occupied Syrian Golan heights.
Alessandro Sciarroni U. (un canto)
A year after the premier of IRIS at the Butte-aux-Cailles swimming pool, commissioned by the Festival d'Automne, in which he explored the Italian polyphonic repertoire, Alessandro Sciarroni brings us U. (un canto). This music-based performance piece evokes the profoundly mysterious relationship between human beings and nature.
Lina Majdalanie, Rabih Mroué Quatre murs et un toit
In 1947, the trial of German playwright Bertolt Brecht took place in the United States in front of the House Un-American Activities Committee (HUAC), responsible for combating communist activism. It was here that Brecht wrote a declaration which he was forbidden to read out. The minutes of the trial, as well as this declaration, constitute one of the axes of this exuberant show.