Forced Entertainment
Signal to Noise
novembernov 27 - 30
Hugo Glendinning ©
Hugo Glendinning ©
Hugo Glendinning ©
Wednesday november 27
20h00
Thursday november 28
20h00
Friday november 29
20h00
Saturday november 30
20h00
Conceived and devised by Forced Entertainment. Direction, text, music and sound design Tim Etchells. Devised and performed by Robin Arthur, Seke Chimutengwende, Richard Lowdon, Claire Marshall, Cathy Naden, Terry O’Connor. Dramaturgy Tyrone Huggins. Lighting design Nigel Edwards. Design Richard Lowdon. Production management Jim Harrison. Touring technical manager Alex Fernandes.
Production Forced Entertainment
Coproduction Athens Epidaurus Festival ; Les Spectacles vivants – Centre Pompidou ; HAU Hebbel am Ufer (Berlin) ; Holland Festival (Amsterdam) ; Künstlerhaus Mousonturm (Frankfurt) ; PACT Zollverein (Essen) ; Théâtre Garonne – Scène européenne ; Festival d’Automne à Paris
With the support of the British Council
The Centre Pompidou and the Festival d’Automne à Paris are co-producers and present this show as a co-realisation.
With the support of
Over its forty years of existence, with Tim Etchells at the helm, the company has never stopped reinventing itself. And it continues to do so. Amidst an oscillating form of virtual reality, six performers find themselves deprived of their voices and their entire beings. The whole thing goes beyond all understanding... Welcome to this new world.
We might very easily be sat looking at the floor of a television or radio studio. It seems as though six people are preparing to broadcast a program. Each of them rehearses their script. Adjusts their microphone. Arranges their decor and props. They will be going on air at any moment... And then everything goes haywire, as is often the case in Forced Entertainment shows. Because the voices we hear no longer correspond to what we see on stage. Because theses voices seem strangely non-human... And they start to accelerate, for no apparent reason. And then slow down, with no warning. It is both funny and chaotic to watch, and above all, both disconcerting and intriguing. Who are these people on the studio floor? What happens when an individual has their voice taken away from them? What becomes of this so-called virtual reality when it breaks down? Currently celebrating its fortieth year of producing new work, the company, from the UK, has never come so close to the ambition that runs throughout its work, that of deconstructing theatre in order to reveal all its modernity.
In the same place
Mathilde Monnier Territoires
In Territoires, Mathilde Monnier will be taking over the galleries of the Centre Pompidou during the course of a weekend in order to bring us a piece that deals with memory and circulation, "a collection of gestures from her work over the past thirty years". In doing so, the choreographer sets up the possibility of playing out memory in the present, from now onwards, or by means of anticipation.
Apichatpong Weerasethakul Rétrospective
Apichatpong Weerasethakul presents the complete retrospective of his films at the Centre Pompidou. It consists of his eight feature films, thirty or so short (and rare) films, various collective works, and two feature films produced by him.
Apichatpong Weerasethakul Night Particles
The Thai filmmaker Apichatpong Weerasethakul is guest at the Festival d'Automne and Centre Pompidou. His exhibition, featuring around ten video installations, transforms the former solarium into a nocturnal space inhabited by biographical and architectural reminiscences.
Apichatpong Weerasethakul A Conversation with the Sun (VR)
A Conversation with the Sun (VR), the Thai filmmaker's second foray into the realm of performance, uses virtual reality to set up the conditions for a collective dream.
Ligia Lewis Still Not Still
In Still Not Still, choreographer Ligia Lewis pursues her exploration into the silences and shadows of history. In this piece, the performers play out a score over and over again, the burlesque dimension of which makes it all the more tragic.
Sébastien Kheroufi Par les villages
Sébastien Kheroufi discovered Peter Handke's Par les villages at the onset of his artistic career. It evokes a writer's return to his native village. Amidst the twilight setting in which one universe declines in favour of another, the voices of the “offended and humiliated” break their silence.