Selma & Sofiane Ouissi

The Festival d'Automne gives Carte Blanche to the multidisciplinary Dream City festival in Tunis, which inaugurates the Commune's first Pavilion. Spanning the Medina of Tunis all the way to the town of Aubervilliers, Selma Ouissi, Sofiane Ouissi and Jan Goossens will be making use of artistic creation in the form of a new urban space.

First staged in Marseille on the roof terrace of La Friche Belle de mai, and then at Nuit Blanche 2018, Sous Influence is a techno party for all ages and all bodies in a dance epidemic. This party situation invites the audience to dance under the influence of a hundred or so amateur accomplices and professional dancers, bathed in the electronic music of Tunisian live-act composer Pan-J.

Libya, the third piece by Moroccan choreographer Radouan Mriziga to be performed at this year's Festival d'Automne, explores the notion of 'knowing', in which eight dancers and a series of lines on the floor seem to trace the trajectories of a constellation of movements that we are about to observe.

The Dream City Carte Blanche will be marked by a concert given by the group Alsarah & the Nubatones. Born out of discussions between Alsarah and Rami El Aasser about Nubian songs, migration and cultural exchanges between Sudan and Egypt.

The first black bishop appointed by the Catholic Church should have settled in Utica, Tunisia, but never did. His story is the starting point for Sammy Baloji's work.

"Can you still hear the bombs? Because I can." What happens when you grow up in a war zone? When you breathe in and physically feel the political conflict every day? How do you cope as a child in such an environment?

The Festival d'Automne gives Carte Blanche to the multidisciplinary Dream City festival in Tunis, which inaugurates the Commune's first Pavilion. Spanning the Medina of Tunis all the way to the town of Aubervilliers, Selma Ouissi, Sofiane Ouissi and Jan Goossens will be making use of artistic creation in the form of a new urban space.

The first black bishop appointed by the Catholic Church should have settled in Utica, Tunisia, but never did. His story is the starting point for Sammy Baloji's work.

These two one-person shows, Biokhraphia et Riding on a cloud, are an investigation into the self-portrait. In Riding on a Cloud, a man called Yasser speaks into a dictaphone, projects videos and broadcasts recordings, whilst expressing reservations about the extent to which these documents coincide with his true self. In Biokhraphia, it is Lina Majdalanie who becomes the subject of a very unusual interview.

These two one-person shows, Biokhraphia and Riding on a cloud, are an investigation into the self-portrait. In Riding on a Cloud, a man called Yasser speaks into a dictaphone, projects videos and broadcasts recordings, whilst expressing reservations about the extent to which these documents coincide with his true self. In Biokhraphia, it is Lina Majdalanie who becomes the subject of a very unusual interview.