Robert Wilson
PESSOA – Since I've been me
novembernov 5 - 16
Lucie Jansch ©
Tuesday november 5
20h00
Wednesday november 6
20h00
Friday november 8
20h00
Saturday november 9
15h00
Sunday november 10
15h00
Tuesday november 12
20h00
Wednesday november 13
20h00
Thursday november 14
20h00
Friday november 15
20h00
Saturday november 16
15h00
Direction, scenography and lighting Robert Wilson. Texts Fernando Pessoa. Dramaturgy Darryl Pinckney. Costumes Jacques Reynaud. Co-direction Charles Chemin. Associate scenographer Annick Lavallée-Benny. Associate lighting designer Marcello Lumaca. Sound design and music advisor Nick Sagar. Make-up Véronique Pfluger. Technical direction Enrico Maso. Artistic and technical coordination Thaiz Bozano. Costumes collaborator Flavia Ruggeri. Literary collaboration Bernardo Haumont. With Maria de Medeiros, Aline Belibi, Rodrigo Ferreira, Klaus Martini, Sofia Menci, Gianfranco Poddighe, Janaína Suaudeau.
Production Théâtre de la Ville-Paris ; Teatro della Pergola (Florence)
Coproduction Teatro Stabile del Friuli Venezia Giulia ; Teatro Stabile di Bolzano ; Sao Luiz Teatro Municipal de Lisboa ; Festival d’Automne à Paris
In partnership with Les Théâtres de la Ville de Luxembourg
With the support of Fondation Calouste Gulbenkian – Délégation en France and of Dance Reflections by Van Cleef & Arpels
The Théâtre de la Ville-Paris and the Festival d'Automne à Paris are co-producers of this show and are presenting it as a co-realisation.
With the support of
The hero of this new work by Robert Wilson is Fernando Pessoa. And a paradoxical hero at that. The Portuguese poet spent his life 'multiplying himself', inventing heteronyms, or fictitious authors, to whom he attributed works he himself wrote. He even went as far as to invent relationships, either amicable ones or from master to disciple, between his different avatars.
He wanted to disappear, and be nothing. But he ended up being multiplying his different selves. Specialists of his work have counted seventy-two of these heteronyms, each of which sheds light upon and conceals him in equal measure, making Fernando Pessoa a figure so mysterious and intriguing that sketching his portrait is near-impossible. Indeed, every attempt at trying to build up a picture of him quickly results in him disappearing from view, as if caught in a labyrinth of distorting mirrors. Robert Wilson gives substance to this elusive dimension of one of the greatest poets of the 20th century, with an assuredness that is tinged with humour and joyful melancholy. Calling upon the best known of his heteronyms, Álvaro de Campos, Ricardo Reis and Alberto Caeiro, he takes us, with the complicity of the playwright Darryl Pinckney, on a journey through the most varied aspects of his writings, from The Keeper of Flocks to Faust via the Book of Unrest. In response to the inexhaustible abundance of Pessoa's almost limitless imagination, he offers us a kaleidoscope-like backdrop which both glistens and fascinates.
In the same place
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In collaboration with the choreographer and dancer Radouan Mriziga, the challenge taken up by Anne Teresa De Keersmaeker is to make Vivaldi's Four Seasons heard, using the tools of dance to hone the way we listen to this baroque masterpiece. Under the auspices of abstraction, the resulting alliance reconnects with the imaginary ecological world that is conjured up by this famous concerto.
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Lola Arias Los días afuera
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Jan Martens VOICE NOISE
In this breakthrough piece for Jan Martens, VOICE NOISE brings together six dancers to shape a soundscape comprising some of the great female performers and composers of our time. In his own pop-inspired and precise way, the choreographer questions a very contemporary story, and in doing so raises the question of how some of these voices were silenced.