Nacera Belaza
La Nuée
novembernov 5 - 8
Luca Ianelli ©
Tuesday november 5
20h00
Wednesday november 6
20h00
Thursday november 7
20h00
Friday november 8
20h00
Choreography, sound and lighting design Nacera Belaza. Performance (in progress). Stage management Christophe Renaud. Sound Marco Parenti.
Production Jazz Ame Association – Nacera Belaza Company
Coproduction Kunstenfestivaldesarts (Brussels) ; Charleroi danse – Centre chorégraphique de la Fédération Wallonie-Bruxelles ; MC93 – Maison de la culture de Seine-Saint-Denis ; Chaillot – Théâtre national de la Danse ; Maison de la danse de Lyon – Pôle Européen de Création ; Villa Albertine ; Compagnie DCA / Philippe Decouflé ; Festival d’Automne à Paris
With the support of the ACCN and the A-CDCN as part of the La Danse en grande forme programme (CNDC Angers ; Malandain Ballet Biarritz – Centre chorégraphique national de Nouvelle-Aquitaine en Pyrénées-Atlantiques ; La Manufacture – CDCN Nouvelle-Aquitaine ; Centre chorégraphique national de Caen en Normandie ; Boom’Structur ; La Comédie de Clermont-Ferrand – Scène nationale ; Centre chorégraphique national de Grenoble ; MC2: Grenoble — Maison de la Culture ; Le Phare – Centre chorégraphique du Havre Normandie ; CCN Ballet national de Marseille ; Centre chorégraphique national d’Orléans ; Le Gymnase – CDCN Roubaix-Haut-de-France ; La Place de la danse CDCN Toulouse-Occitanie ; La briqueterie CDCN du Val-de-Marne)
Studio Chaillot – Théâtre national de la Danse
Nacera Belaza is an associate artist of Chaillot - Théâtre national de la Danse
The company is supported by the Drac Île-de-France - Ministère de la Culture as a subsidised company and by the Région Île-de-France as a permanent artistic and cultural body.
With the support of Dance Reflections by Van Cleef & Arpels
The MC93 - Maison de la culture de Seine-Saint-Denis, Chaillot - Théâtre national de la Danse and the Festival d'Automne à Paris are co-producers of this show and present it as a co-realisation.
With the support of
With a reputation for minimalist and captivating choreographies, Nacera Belaza continues the exploration of the circle and rhythm she initiated with Le Cercle (2019) and L'Onde (2021), both landmarks in her choreographic language. Following on from an initial period of creation in Brussels in May 2024, the choreographer then enlarged the creative process of La Nuée by inviting ten new performers to the stage.
While traveling through the Midwest region of the United States, Nacera Belaza attended a gathering of First Nations people. The participants in the celebration, from different communities, form a large circle and perform their dances to a percussive tempo. The choreographer observed that the circle is mixed with beating of the rhythm, two figures which nevertheless appear to be in opposition. In La Nuée, ten performers experience what it is like to combine centrifugal momentum and pulsation inside their bodies. Accompanied by rustling noises, cries and songs, their silhouettes are inhabited by an image that their dance transmits. Confronted with this circle or round, the audience is invited not to refuse the impossible, namely that of perceiving clarity in the darkness, and silence in the din.
In the same place
Soa Ratsifandrihana Fampitaha, fampita, fampitàna
Committing moving bodies to a contemporary form of orality, Soa Ratsifandrihana, the guitarist Joël Rabesolo and performers Audrey Mérilus and Stanley Ollivier draw on their diasporic narratives and origins to tell a story they would have liked to hear or see. The three Malagasy words Fampitaha, fampita, fampitàna, meaning comparison, transmission and rivalry, form variations in which the performers slide in and out of different states and seem to follow a movement in perpetual metamorphosis.
Jeanne Balibar Les Historiennes
Three women return from the past thanks to three female contemporary historians who bring them back to life via three separate accounts. Here, the actress Jeanne Balibar uses them as the basis for a staged reading. Four women from today’s world take a particularly eloquent and incisive look at three emblematic female destinies.
Stefan Kaegi, Rimini Protokoll This is not an embassy (Made in Taiwan)
Rimini Protokoll's roving director Stefan Kaegi takes us, in the company of three native performers and residents, to the island of Taiwan. The fictional element of this show, in which the onstage action filmed live takes us through the twists and turns of a miniature décor, points to a somewhat grotesque geopolitical reality.
Rosana Cade, Ivor MacAskill The Making of Pinocchio
Drawing upon Collodi's tale, the Cade-MacAskill duo uses theatre to investigate the little- explored realms of queer love and affection. In doing so, they tell the story of gender transition and its repercussions on the couple. The piece itself, The Making of Pinocchio, becomes a burlesque-inspired manifesto for different forms currently under construction.
Joël Pommerat Marius
Inspired by the work of Marcel Pagnol, this show explores the theme of escape. Some of the actors had their first experience of theatre at the Maison centrale d'Arles prison. Marius provides audiences with a unique opportunity to discover a little-known but crucial dimension of Joël Pommerat's art.