Lina Lapelytė

The Speech

Opening programPerformance Focus
Bourse de Commerce – Pinault Collection
septembersept 11 – 13
Free
1/2

World premiere

40 minutes

Free with reservation, coming soon

Bourse de Commerce – Pinault Collection

Wednesday september 11

20h00

Thursday september 12

20h00

Friday september 13

20h00

Conception, direction and composition Lina Lapelytė. Creative team Liza Baliasnaja, Paola Córdova, Rūta Kiškytė, Martynas Norvaiša. Coordination Povilas Gumbis, Gabrielė Golubovičiūtė. With 200 children. Participating schools collège Saint-Joseph, école élémentaire de la Villette, école élémentaire Claude-Vellefaux, école élémentaire Jardinet.

The Festival d’Automne à Paris is producer of this show and present it in co-realisation with Pinault Collection.

Organised as part of the Lithuanian Season in France 2024.

With the support of

Artist Lina Lapelytė explores performance through music, sound, and the visual arts. As a gathering of a hundred of children and teenagers, this new large-scale performance, titled The Speech, invokes nature to speak about relations and care.

The Speech extends Lina Lapelytė’s conceptual and site-specific experimentation into the connection between sound and togetherness. As such, the performance’s premise initially stresses a rupture: that experienced by increasingly urbanized generations, ever further separated from natural environments. Here, the artist wonders how the memories and fantasies that animals might evoke in youths can be rendered through sound. Play becomes a key tool in prompting these associations through a chorus of voices. What might emerge is an unexpected soundscape composed of vocalizations that form chimerical reverberations rather than individually recognizable sounds. It is perhaps this very sonic camouflage, at the core of the piece’s partition, that best evokes our growing distance from companion species. It is also through this shared venture that the artist examines kinship within a group, gathering children and teenagers alike. Tender connections might be rekindled through the very act of sounding together. 

Interview with Lina Lapelytė