Claudia Triozzi
Pour rien mais dans le bon sens
novembernov 21 - 23
Thursday november 21
19h00
Friday november 22
19h00
Saturday november 23
18h00
Saturday november 23
20h00
Conceived and performed by Claudia Triozzi.
Cast (in progress).
La Ménagerie de verre and the Festival d'Automne à Paris are co-producers of this show and co-present it.
Delegated production by la Ménagerie de verre
Coproduced by Les Bazis - Arts vivants en Couserans; Festival d'Automne à Paris
The creation of this play benefited from workshops with the residents of Hôpital Bretonneau, a residency offered by the Festival d'Automne à Paris as part of its partnership with Assistance publique - Hôpitaux de Paris; the Ehpad - résidence de la Vallée du Volp, Sainte-Croix-Volvestre with Les Bazis ; the Ehpad Cousin de Méricourt - Résidence en autonomie with Anis Gras - Le lieu de l'Autre; the Ehpad Mutaliste Les Hortensias in Dijon with Le Dancing - CDCN Dijon Bourgogne-Franche-Comté as part of the welcome-studio scheme - Ministry of Culture.
Thanks to Sylviane Barbiere and Myriam Cuena for their participation and voluntary work.
The artistic residencies at the AP-HP are organised with the support of the Fondation de France and the SACD.
With the support of
In Pour rien mais dans le bon sens, Claudia Triozzi brings us a performative experience which pursues the “transmission through the body” approach that she has been exploring since 2011. She was able to further this research as part of a hospital residency made possible by the Festival d'Automne.
With the complicity of a group of elderly people, Claudia Triozzi establishes a choreographic performative language in which virtuosity and endurance give way to the potential of these bodies for whom there is a big gap between themselves and the stage. Nourished by the gestural expressions of the residents of different geriatric establishments and from exercises borrowed from specially-adapted physical activities, the choreographer develops moments or instances of common creativity and stories to be shared. In Pour rien mais dans le bon sens, her aim is to generate a “vacillating presence” at the intersection between space, sound, bodily matter and playful objects from everyday life. Claudia Triozzi draws upon the notions of shadow, reflection and echo. Together, they enable her to explore the numerous possibilities of bringing to the stage “traversed bodies”, which are not limited by age or the artifices of theatricality.