Apichatpong Weerasethakul
A Conversation with the Sun (VR), extended edition
octoberoct 5 – 14
© Shun Sato ©
© Shun Sato ©
Saturday october 5
19h
Saturday october 5
19h30
Saturday october 5
20h
Saturday october 5
20h30
Saturday october 5
21h
Sunday october 6
14h
Sunday october 6
14h30
Sunday october 6
15h
Sunday october 6
15h30
Sunday october 6
16h
Sunday october 6
19h
Sunday october 6
19h30
Sunday october 6
20h
Sunday october 6
20h30
Sunday october 6
21h
Monday october 7
14h
Monday october 7
14h30
Monday october 7
15h
Monday october 7
15h30
Monday october 7
16h
Monday october 7
19h
Monday october 7
19h30
Monday october 7
20h
Monday october 7
20h30
Monday october 7
21h
Friday october 11
14h
Friday october 11
14h30
Friday october 11
15h
Friday october 11
15h30
Friday october 11
16h
Friday october 11
19h
Friday october 11
19h30
Friday october 11
20h
Friday october 11
20h30
Friday october 11
21h
Saturday october 12
14h
Saturday october 12
14h30
Saturday october 12
15h
Saturday october 12
15h30
Saturday october 12
16h
Saturday october 12
19h
Saturday october 12
19h30
Saturday october 12
20h
Saturday october 12
20h30
Saturday october 12
21h
Sunday october 13
14h
Sunday october 13
14h30
Sunday october 13
15h
Sunday october 13
15h30
Sunday october 13
16h
Sunday october 13
19h
Sunday october 13
19h30
Sunday october 13
20h
Sunday october 13
20h30
Sunday october 13
21h
Monday october 14
14h
Monday october 14
14h30
Monday october 14
15h
Monday october 14
15h30
Monday october 14
16h
Monday october 14
19h
Monday october 14
19h30
Monday october 14
20h
Monday october 14
20h30
Monday october 14
21h
Concept and direction Apichatpong Weerasethakul. Creative assistant Sompot Chidgasornpongse. With Jenjira Pongpas Widner, Sakda Kaewbuadee Vaysse, Chai Bhatana, Sam Mitchell, Sita Kiatneramit. Music Ryuichi Sakamoto. Sound design Akritchalerm Kalayanamitr, Koichi Shimizu. Director of Photography Chatchai Suban. Camera assistant and production Thanayos Roopkhajorn. Set director Natchanon Pribwai. Film production crew Jirayu Rattanakhanahutanon, Pongsakorn Nanta, Suttipong Nanta. Film production manager Phatsamon Kamnertsiri. Film production assistant Somporn Ruensai. Film production Kick the Machine Films. VR creator Katsuya Taniguchi. VR production Taisei Yamaguchi, Hideyuki Kido, Nuttanit Thiantanukij, Kana Kondo, Satomi Yoshizawa, Hisashi Sato, Yoshinori Ikeda, Hikaru Takatori. VR adviser Tsuyoshi Nomura. Technical manager So Ozaki. Stage manager Sato Oikawa. Lighting design Kazuya Yoshida. Producer/curator Chiaki Soma. Production coordinator Haruka Shibata. Production coordination assistant Nanami Hanzawa.
Production Arts Commons Tokyo
Delegate production of the European tour Festival d’Automne à Paris
Coproduction Aichi Triennale 2022 ; The Japan Foundation ; Theater der Welt 2023
Special support Shane Akeroyd Coopération Rhino Studios inc ; SCAI The Bathhouse ; Museo Larco
Material support STYLY, Inc
With the support of The Agency for Cultural Affairs; Government of Japan; Japan Arts Council
With the support of the Fondation d'entreprise Hermès and Sylvie Winckler
The Festival d'Automne à Paris is executive producer of the European tour and presents this performance in co-realisation with the Centre Pompidou.
Book Homes, Apichatpong Weerasethakul
Built around a wide-ranging interview and previously unpublished essays, this book offers a journey through the territories that the Thai filmmaker has inhabited and transformed over the last thirty years. Obtain
Masterclass with Apichatpong Weerasethakul
12 October at 3pm, cinema 1, level 1. Admission free, subject to availability.
Rencontres
From 9 to 13 October, Apichatpong Weerasethakul will accompany all the screenings of the Retrospective with a host of guests, including Tilda Swinton, Sakda Kaewbuadee Vaysse, Dennis Lim, Charles de Meaux, Simon Field, Antoine Thirion... Detailed programme to follow.
With the support of
The Thai filmmaker's second foray into performance art, A Conversation with the Sun (VR), extended edition, presented in Paris in a new version enhanced by a third part, uses virtual reality to create the conditions for a collective dream.
Apichatpong Weerasethakul is best known for his penchant for dividing films into two halves. A good example is that of Tropical Malady, in which the narrative of a stormy romance is suddenly interrupted by plunging us into a nightmarish jungle. He has employed a similar structure since his first performance-based creation, Fever Room. Presented at the Festival d'Automne in 2016, it reversed the stage set-up thereby enabling the audience to discover, by means of a screen being lifted up, the rows of empty seats in a gloomy theatre. This new show hinges upon a passage where roles and things are reversed: the visitor goes from being a spectator to an otherworld explorer, being awake gives way to sleep, and heavy bodies suddenly become airborne, light. As the members of the audience put on their virtual reality headsets, they collectively enter into the same dream. For the director, putting on a headset equates to learning to see with your eyes closed and enables us, as in meditation or dreaming, to reach new depths of consciousness. Oscillating between a near-death experience and a return to the origins of life, and carried along by a soundtrack composed by the great Ryūichi Sakamoto, A Conversation with the Sun (VR), extended edition invites us to observe the lights of which our memories are made, and to bring back the past in order to free ourselves from it.
Interview with Apichatpong Weerasethakul
See also
Apichatpong Weerasethakul Complete retrospective of films and videos
Apichatpong Weerasethakul presents the complete retrospective of his films at the Centre Pompidou. It consists of his eight feature films, thirty or so short (and rare) films, various collective works, and two feature films produced by him.
Apichatpong Weerasethakul Night Particles
The Thai filmmaker Apichatpong Weerasethakul is guest at the Festival d'Automne and Centre Pompidou. His exhibition, featuring around ten video installations, transforms the former solarium into a nocturnal space inhabited by biographical and architectural reminiscences.
In the same place
Mathilde Monnier Territoires
In Territoires, Mathilde Monnier will be taking over the galleries of the Centre Pompidou during the course of a weekend in order to bring us a piece that deals with memory and circulation, "a collection of gestures from her work over the past thirty years". In doing so, the choreographer sets up the possibility of playing out memory in the present, from now onwards, or by means of anticipation.
Apichatpong Weerasethakul Complete retrospective of films and videos
Apichatpong Weerasethakul presents the complete retrospective of his films at the Centre Pompidou. It consists of his eight feature films, thirty or so short (and rare) films, various collective works, and two feature films produced by him.
Apichatpong Weerasethakul Night Particles
The Thai filmmaker Apichatpong Weerasethakul is guest at the Festival d'Automne and Centre Pompidou. His exhibition, featuring around ten video installations, transforms the former solarium into a nocturnal space inhabited by biographical and architectural reminiscences.
Ligia Lewis Still Not Still
In Still Not Still, choreographer Ligia Lewis pursues her exploration into the silences and shadows of history. In this piece, the performers play out a score over and over again, the burlesque dimension of which makes it all the more tragic.
Forced Entertainment Signal to Noise
Over its forty years of existence, with Tim Etchells at the helm, the company has never stopped reinventing itself. And it continues to do so. Amidst an oscillating form of virtual reality, six performers find themselves deprived of their voices and their entire beings. The whole thing goes beyond all understanding... Welcome to this new world.
Sébastien Kheroufi Par les villages
Sébastien Kheroufi discovered Peter Handke's Par les villages at the onset of his artistic career. It evokes a writer's return to his native village. Amidst the twilight setting in which one universe declines in favour of another, the voices of the “offended and humiliated” break their silence.