Alsarah & The Nubatones
septembersept 21
Saturday september 21
21h30
Voice, melodies Alsarah. Back vocal and keyboards Nahid. Bass and trumpet Mawuena Kodjovi. Oud Brandon Terzic. Percussions Rami El Aasser.
With the support of Wevioo and of Focus
La Commune, centre dramatique national d’Aubervilliers and the Festival d’Automne à Paris present this Carte Blanche in co-realisation.
The Dream City Carte Blanche will be marked by a concert given by the group Alsarah & the Nubatones, born out of discussions between Alsarah and Rami El Aasser about Nubian songs, migration and cultural exchanges between Sudan and Egypt.
A singer-songwriter and ethnomusicologist, Alsarah added another string to her bow by founding The Nubatones in 2010. Heavily influenced by the Nubian music of the 1960s and 1970s, the group breathes new life into traditional Sudanese music with timeless melodies combining Eastern and North African influences, carried by Alsarah's charismatic, warm voice. In March 2014, they released their internationally acclaimed debut album Silt. Alsarah & the Nubatones explore the themes that mark the long journey after immigration begins. Their 2016 album Manara is both a quest and a celebration of the upheavals that migration brings.
See also
Carte Blanche Dream City
The multi-disciplinary Tunisian festival Dream City is moving to Aubervilliers at the joint invitation of the Festival d'Automne and La Commune, with the shared desire to make this area rustle, resonate and dream through a dozen creations by international performing and visual artists.
Selma & Sofiane Ouissi BIRD
Starting with ordinary everyday gestures such as feeding, living together and getting around, Sofiane Ouissi explores our relationship with birds. Passionate about encounters and the journeys they generate, this time he delves into the relationship with another species.
Éric Minh Cuong Castaing, Shonen company Sous Influence
First staged in Marseille on the roof terrace of La Friche Belle de mai, and then at Nuit Blanche 2018, Sous Influence is a techno party for all ages and all bodies in a dance epidemic. This party situation invites the audience to dance under the influence of a hundred or so amateur accomplices and professional dancers, bathed in the electronic music of Tunisian live-act composer Pan-J.
Visual arts: exhibitions and conversations
Artists Jumana Manna and Sille Storihle, Manthia Diawara, Michael Rakowitz & Robert Chase Heishmans will be in La Commune from 20 to 28 September to present five works and invite you to take part in two conversations.
The works of Nil Yalter will be on display in the public space of Aubervilliers.
Conference by Sophie Bessis Tunisia in the turmoil of populism
After a decade of chaotic but richly experienced democratic apprenticeship, Tunisia found itself plunged into a new cycle of its post-colonial history from 2021 onwards. From that date onwards, Kaïs Saïed, who was democratically elected in 2019, assumed all the powers, transforming a fledgling democracy into an autocracy.
Radouan Mriziga Libya
Libya, the third piece by Moroccan choreographer Radouan Mriziga to be performed at this year's Festival d'Automne, explores the notion of 'knowing', in which eight dancers and a series of lines on the floor seem to trace the trajectories of a constellation of movements that we are about to observe.
Sammy Baloji Missa Utica
The first black bishop appointed by the Catholic Church should have settled in Utica, Tunisia, but never did. His story is the starting point for Sammy Baloji's work.
Samaa Wakim & Samar Haddad King Losing it
"Can you still hear the bombs? Because I can." What happens when you grow up in a war zone? When you breathe in and physically feel the political conflict every day? How do you cope as a child in such an environment?
Winter Family H2-Hébron
Winter Family is an experimental music and documentary theatre duo founded by Israeli artist Ruth Rosenthal and French musician Xavier Klaine. They play minimal, obsessive, abrasive and political music. They created H2 Hebron, their 3rd show in 2018, a documentary piece in which the transcription of nearly 500 pages of testimonies, their translation, selection and reappropriation by Winter Family are the central element and the main dramaturgical material of the show.