Trajal Harrell

Sister or He Buried the Body

Archive 2023
Musée de l’Orangerie
septembersept 25
1/3

French premiere

25 min

Choreography, danse, installation and soundtrack, Trajal Harrell
Dramaturgy, Sara Jansen
Costume and stage management, Sally Heard
Artistic collaborator, Michael Hart

Produced by Causecélèbre vzw
Diffusion ART HAPPENS
Co-production Aichi Triennale ; CND Centre national de la danse (Pantin) ; 13th Gwangju Biennale ; Ludwig Forum Aachen ; Mudam (Luxembourg) ; Schauspielhaus Zürich

The Musée de l'Orangerie and the Festival d'Automne à Paris present this performance in co-production

With the support of the Embassy of the United States of America, France
Portrait Trajal Harrell is presented with the support of Dance Reflections by Van Cleef & Arpels

France Culture is a partner of Portrait Trajal Harrell

Trajal Harrell furthers his research into butoh and its origins, whilst steering clear of a single story. Sister or He Buried the Body is a daring encounter between Tatsumi Hijikata, from Japan, and the pioneer of Afro-American dances, Katherine Dunham.  The resulting fiction takes on the allure of shifting choreographic continents.

True to his desire to make and un-make a history of dance, Trajal Harrell's audacious piece, Sister or He Buried the Body, uses a permanent sense of overlapping in this performative solo. He summons up, beneath its own "traits", Tatsumi Hijikata and his mythical long lost sister - butoh on the one hand and research into Katherine Dunham on the other. Legend has it that Hijikata once shared a studio with Dunham. This was all it took for Trajal Harrell to turn the latter into the "long-lost mother of butoh". In his own way, Harrell picks up on a thread and uses it to compose a moving tableau of modernities. He questions the figure of Hijikata's sister - Dunham or a blood relative deceased or a fiction all together - thereby affirming the link between movement and disappearance. In the words of Tatsumi Hijikata, "We should never stop learning from the dead, we should live with them». Using a sparse stage set made up of woven mats and passementerie, Trajal Harrell conjures up a ceremony of remembrance and sharing. A dance of love lost in invented memories.