Trajal Harrell Schauspielhaus Zürich Dance Ensemble
Tambourines
Tambourines, Trajal Harell, Schauspielhaus Zürich, Dance Ensemble © Orpheas Emirzas ©
Tambourines, Trajal Harell, Schauspielhaus Zürich, Dance Ensemble © Orpheas Emirzas ©
Tambourines, Trajal Harell, Schauspielhaus Zürich, Dance Ensemble © Orpheas Emirzas ©
Direction and choreography, sets, costumes, soundtrack, Trajal Harrell
Performers New Kyd, Trajal Harrell, Perle Palombe, Songhay Toldon, Ondrej Vidlar
Rehearsal direction and assistants, Frances Chiaverini, Stephen Thompson, Vânia Doutel Vaz
Lighting, Sylvain Rausa
Dramaturgy, Katinka Deecke
Produced by Schauspielhaus Zürich
Coproduced by Les Spectacles Vivants – Centre Pompidou (Paris); Festival d'Automne à Paris
The Spectacles vivants – Centre Pompidou (Paris) and the Festival d'Automne à Paris are co-producers of this performance and present it in co-production
With the support of the Embassy of the United States of America, France
Portrait Trajal Harrell is presented with the support of Dance Reflections by Van Cleef & Arpels
France Culture is a partner of Portrait Trajal Harrell
In this new work, Trajal Harrell draws upon Nathaniel Hawthorne's novel, The Scarlet Letter, and uses it as a line of approach for an exploration of colonial America. Accompanied by the Schauspielhaus Zürich Dance Ensemble, the choreographer continues to use the onstage body as a means for inventing another possible ending in history.
Coming to us from the other side of the Atlantic, Trajal Harrell navigates a path between the continents of knowledge. Using the novel by Nathaniel Hawthorne, The Scarlett Letter: A Romance as his inspiration, he sets off in search of its heroine, Hester Prynne and imagines her life in an era different from the patriarchal America of the time. In Hawthorne's work, the young woman is banished from society for giving birth to a child out of wedlock. She must carry the A for « adultery ». The novel is racked through with repentance and guilt. In the eyes of Trajal Harrell, if we are to raise questions about the era we live in then we need to take a step aside from it. Has it really changed? At a time when some speak of the need for return to a form of (moral) order, what is the message we want to hear? With the help of the visual artist Sarah Sze, the choreographer makes Tambourines into a flexible, laboratory-type piece in which the audience is invited to come onstage for the duration of a show. Don't get stuck might well be Trajal Harrell's motto.
In the same place
Mathilde Monnier Territoires
In Territoires, Mathilde Monnier will be taking over the galleries of the Centre Pompidou during the course of a weekend in order to bring us a piece that deals with memory and circulation, "a collection of gestures from her work over the past thirty years". In doing so, the choreographer sets up the possibility of playing out memory in the present, from now onwards, or by means of anticipation.
Apichatpong Weerasethakul Rétrospective
Apichatpong Weerasethakul presents the complete retrospective of his films at the Centre Pompidou. It consists of his eight feature films, thirty or so short (and rare) films, various collective works, and two feature films produced by him.
Apichatpong Weerasethakul Night Particles
The Thai filmmaker Apichatpong Weerasethakul is guest at the Festival d'Automne and Centre Pompidou. His exhibition, featuring around ten video installations, transforms the former solarium into a nocturnal space inhabited by biographical and architectural reminiscences.
Apichatpong Weerasethakul A Conversation with the Sun (VR)
A Conversation with the Sun (VR), the Thai filmmaker's second foray into the realm of performance, uses virtual reality to set up the conditions for a collective dream.
Ligia Lewis Still Not Still
In Still Not Still, choreographer Ligia Lewis pursues her exploration into the silences and shadows of history. In this piece, the performers play out a score over and over again, the burlesque dimension of which makes it all the more tragic.
Forced Entertainment Signal to Noise
Over its forty years of existence, with Tim Etchells at the helm, the company has never stopped reinventing itself. And it continues to do so. Amidst an oscillating form of virtual reality, six performers find themselves deprived of their voices and their entire beings. The whole thing goes beyond all understanding... Welcome to this new world.
Sébastien Kheroufi Par les villages
Sébastien Kheroufi discovered Peter Handke's Par les villages at the onset of his artistic career. It evokes a writer's return to his native village. Amidst the twilight setting in which one universe declines in favour of another, the voices of the “offended and humiliated” break their silence.