Michikazu Matsune

The starting point is the name of a mythical perfume. In 1919, Guerlain created "Mitsouko", in reference to the heroine of the novel La Bataille by Claude Farrère published in 1909. Another woman, a real one this time, bore the same name, that of Mitsouko Aoyama, one of the first Japanese women to live in Europe. In 1893, as Japan was becoming increasingly militaristic and westernised, she married an Austro-Hungarian diplomat and earned the title of the Countess of Coudenhove-Kalergi. Via these two feminine figures, Matsune questions the European fascination for Japan and Japanese culture, whilst confronting the stereotypes of a deeply sexualised form of Japonisme to our fantasy-based fears of the "Yellow Peril". A native of Kobe, but living in the Austrian capital since the 1990's, and thus confronted on a daily basis with the issue of otherness, the questions this pluridisciplinary artist raises about our respective identities serve to dismantle our reciprocal cultural misunderstandings. They also enable the artist to free himself from his own illusions in relation to the West. The piece is a vast enquiry into the collective subconscious of yesterday and today.