GRAND MAGASIN
Quelqu’un se sert de mes objets familiers
Concept, GRAND MAGASIN
With Ondine Cloez, François Hiffler, Valentin Lewandowski, Pascale Murtin, Diederik Peeters, Sophie Sénécaut
Coproduced by Festival d'Automne à Paris; Ménagerie de verre (Paris); GRAND MAGASIN
The Ménagerie de verre and the Festival d'Automne à Paris are co-producers of this performance and co-present it.
By means of an evolving stage mechanism, taken up with discursive performance, alternative pedagogy and an excercise in free-thinking, the latest show from GRAND MAGASIN picks up on snatches of philosophy as if they were one of many domestic objects to be shared.
The show revolves around collecting philosophical fragments according to their affinity in terms of vocabulary and sonorities, and then saying them out loud whilst trying to understand them at the same time. This is the principle of these "thought transmissions" which journey, from semantic shifts into temporal gaps, and approach these erudite quotes as if they were poetic texts. Six orators, initially spread out across different rooms, with an audience divided up into small groups in front of them, deliver sentences by Malebranche, Stein, Condillac, Arendt, Bergson and Heidegger, which have been taken out of their context and freely associated with each other. In this exercise, GRAND MAGASIN link gesture and spoken word together, thereby experimenting with the different ways of incorporating knowledge. After a series of simultaneous solo interventions, the performers form duos, trios and sextets as the audience slowly comes back together. Here, philosophy is to be seized upon as if it were a family treasure passed on from hand to hand, or rather from spirit to spirit, like going from one room into another.
In the same place
Eszter Salamon MOTHERS & DAUGHTERS
In this new piece, the choreographer Eszter Salamon continues her Monuments series with an extension of her work M/OTHERS (2019). It explores her bond with her mother and the intimate construction of bodies. Drawing upon slowness, touch and filiation, the piece maps out an ethical and sensory framework of our collective intimacy.
Claudia Triozzi Pour rien mais dans le bon sens
In Pour rien mais dans le bon sens, Claudia Triozzi brings us a performative experience which pursues the “transmission through the body” approach that she has been exploring since 2011. She was able to further this research as part of a hospital residency made possible by the Festival d'Automne.