Gisèle Vienne
EXTRA LIFE
EXTRA LIFE, Gisèle Vienne © Estelle Hanania ©
EXTRA LIFE, Gisèle Vienne © Estelle Hanania ©
EXTRA LIFE, Gisèle Vienne © Estelle Hanania ©
Conceived, choreographed, directed and designed by Gisèle Vienne
Created in collaboration with and performed by Adèle Haenel, Theo Livesey and Katia Petrowick
Original music, Caterina Barbieri
Sound design, Adrien Michel
Lighting design, Yves Godin
Texts, Adèle Haenel, Theo Livesey, Katia Petrowick and Gisèle Vienne
Costumes, Gisèle Vienne, Camille Queval and FrenchKissLA
Doll making, Etienne Bideau-Rey
Stage management, Antoine Hordé and Philippe Deliens
Sound engineer, Adrien Michel
Lighting, Samuel Dosière, Iannis Japiot and Héloïse Evano
Special thanks to Elsa Dorlin, Etienne Hunsinger, Sandra Lucbert,
Romane Rivol, Anja Röttgerkamp, Sabrina Lonis and Maya Masse
Assistant, Sophie Demeyer
Technical Director, Erik Houllier
Production and diffusion, Alma Office Anne-Lise Gobin, Camille Queval and Andrea Kerr
Administration, Cloé Haas and Giovanna Rua
Produced by DACM / Compagnie Gisèle Vienne
Coproduced by Ruhrtriennale - Festival der Künste (Bochum); Théâtre National de Bretagne - Centre Européen Théâtral et Chorégraphique; MC93 - Maison de la
Culture de Seine-Saint-Denis; MC2 : Grenoble - Maison de la Culture; Chaillot - Théâtre national de la Danse; Maillon, Théâtre de Strasbourg - Scène européenne; TANDEM Scène nationale (Douai-Arras) ; Points Communs - Nouvelle Scène nationale de Cergy Pontoise ; CND Centre national de la danse; Comédie de Genève; Le Volcan - Scène nationale du Havre; Centre Culturel André Malraux- Scène nationale de Vandoeuvre-lès-Nancy; NTGent (Gand); Printemps des Comédiens - Cité du Théâtre Domaine d'O Montpellier ; Festival d'Automne à Paris; La Comédie de Clermont scène nationale; International Summer Festival Kampnagel (Hambourg); Triennale Milano; Tanzquartier Wien (Vienne); La Filature, Scène nationale de Mulhouse
The Compagnie Gisèle Vienne is subsidised by the Ministry of Culture and receives support from the Drac Grand Est, the Région Grand Est and the City of Strasbourg
Gisèle Vienne is an associate artist of Chaillot - Théâtre national de la Danse; the MC2: Grenoble - Maison de la Culture; the Volcan - Scène nationale du Havre; the Théâtre National de Bretagne (Rennes).
The MC93 - Maison de la Culture de Seine-Saint-Denis, Chaillot - Théâtre national de la Danse and the Festival d'Automne à Paris are co-producers and co-presenters of this performance.
With the support of Dance Reflections by Van Cleef & Arpels
In this new piece, EXTRA LIFE, the director and choreographer Gisèle Vienne furthers her rigorous, moving work into the deconstruction of perceptive frameworks, and narrative and psychic structures.
At the end of a night spent partying, a sister and brother find each other. Twenty years previously, when they were still children, they were united by a fusional link that was to be torn apart by a dramatic event. Acknowledging the collapse of the system which provoked this traumatic experience, the two adults, endowed with a newly-found sensibility and capacity for analysis, draw up a range of actions and possible future. In EXTRA LIFE, Gisèle Vienne pursues her investigations into systems of perception. By developing and unfurling the experience of this life-changing moment, this opening-up of the senses, the choreographer invents a form in which the different strata of the present experience come into contact: past, present, anticipated future, memory construction, and the imagination. An extremely dense choreographic piece, EXTRA LIFE was devised via the articulation of propositions from the performers themselves, with the music by Caterina Barbieri, sound design by Adrien Michel and lighting by Yves Godin. In order to formulate the perceptive hierarchies, Gisèle Vienne makes use of a system of collages, developed in conjunction with the performers Katia Petrowick, Adèle Haenel and Theo Livesey. We are confronted with a stage language of a unique kind, in which the sense-led experiences nourish possibilities for the thought and spoken word.
Warning: some comments may offend the public.
In the same place
Soa Ratsifandrihana Fampitaha, fampita, fampitàna
Committing moving bodies to a contemporary form of orality, Soa Ratsifandrihana, the guitarist Joël Rabesolo and performers Audrey Mérilus and Stanley Ollivier draw on their diasporic narratives and origins to tell a story they would have liked to hear or see. The three Malagasy words Fampitaha, fampita, fampitàna, meaning comparison, transmission and rivalry, form variations in which the performers slide in and out of different states and seem to follow a movement in perpetual metamorphosis.
Jeanne Balibar Les Historiennes
Three women return from the past thanks to three female contemporary historians who bring them back to life via three separate accounts. Here, the actress Jeanne Balibar uses them as the basis for a staged reading. Four women from today’s world take a particularly eloquent and incisive look at three emblematic female destinies.
Nacera Belaza La Nuée
With a reputation for minimalist and captivating choreographies, Nacera Belaza continues the exploration of the circle and rhythm she initiated with Le Cercle (2019) and L'Onde (2021), both landmarks in her choreographic language. Following on from an initial period of creation in Brussels in May 2024, the choreographer then enlarged the creative process of La Nuée by inviting ten new performers to the stage.
Stefan Kaegi, Rimini Protokoll This is not an embassy (Made in Taiwan)
Rimini Protokoll's roving director Stefan Kaegi takes us, in the company of three native performers and residents, to the island of Taiwan. The fictional element of this show, in which the onstage action filmed live takes us through the twists and turns of a miniature décor, points to a somewhat grotesque geopolitical reality.
Rosana Cade, Ivor MacAskill The Making of Pinocchio
Drawing upon Collodi's tale, the Cade-MacAskill duo uses theatre to investigate the little- explored realms of queer love and affection. In doing so, they tell the story of gender transition and its repercussions on the couple. The piece itself, The Making of Pinocchio, becomes a burlesque-inspired manifesto for different forms currently under construction.
Joël Pommerat Marius
Inspired by the work of Marcel Pagnol, this show explores the theme of escape. Some of the actors had their first experience of theatre at the Maison centrale d'Arles prison. Marius provides audiences with a unique opportunity to discover a little-known but crucial dimension of Joël Pommerat's art.