François Tanguy Théâtre du Radeau
Par autan
Par autan, François Tanguy et le Théâtre du Radeau © Jean-Pierre Estournet ©
Par autan, François Tanguy et le Théâtre du Radeau © Jean-Pierre Estournet ©
Par autan, François Tanguy et le Théâtre du Radeau © Jean-Pierre Estournet ©
Stage direction, set design, François Tanguy
With Frode Bjørnstad, Samuel Boré, Laurence Chable, Martine Dupé, Erik Gerken, Vincent Joly, Anaïs Muller
Sound design, Éric Goudard, François Tanguy
Lighting, François Fauvel, Typhaine Steiner, François Tanguy
Stage manager, François Fauvel
Lighting, François Fauvel, Typhaine Steiner, Jean Guillet
Sound, Éric Goudard, Emmanuel Six
Sewing, Odile Crétault
Construction, François Fauvel, Erik Gerken, Julienne Rochereau,
Jimmy Péchard, Paul-Emile Perreau
Production, diffusion, Geneviève de Vroeg-Bussière
International distribution, Arafat Sadallah
Coproduction Théâtre du Radeau, Le Mans; Théâtre des 13 Vents, Centre Dramatique National de Montpellier; La Comédie de Caen, Centre Dramatique National; Festival d'Automne à Paris; Les Quinconces et L'Espal, Scène nationale du Mans; L'Archipel, Scène nationale de Perpignan; Théâtre National de Bretagne; T2G Théâtre de Gennevilliers, Centre Dramatique National With the artistic participation of the Jeune Théâtre National Coproduction of the revival Les Quinconces et l'Espal - Scène nationale du Mans
First production May 17, 2022 at Théâtre des 13 Vents - CDN de Montpellier
T2G Théâtre de Gennevilliers, Centre Dramatique National ; Festival d'Automne à Paris
Par autan, the title of the latest opus from Théâtre du Radeau, takes its name from the wind which is also called the "devil's wind". The autanwind filters, in the form of music and lighting, into the curtains, flats, tables, loupiots and costumes worn by the actors and actresses. In the company of their writer companions, as they head off in search of adventure.
At a rate of a new piece every two or three years, Théâtre du Radeau has been accompanied by the Festival d’Automne on a regular basis. Its master builder, François Tanguy, passed away on the 7th December 2022, a few days prior to the presentation of Par autan at the Théâtre de Gennevilliers. Whiffs of languages, music, lights, and movements are omnipresent in the work of the company. No piece, nor story… that has been the case since Mystère Bouffe, over thirty years ago. Instead, we find cascades of light, shelters, escapes, and paths forking in different directions, accompanied by the words of Robert Walser, Franz Kafka, Heinrich von Kleist, Anton Tchekhov, and Fedor Dostoïevski … Those that the spectator hears are friends, seized upon in full flight, signs, luminous, so that they can guide us in the dark of the theatre, and its tremors. Par autan puts back into service materials used in Item, and other past works. "We need to pick up from there, sew, and patch up, here and there, the shreds of air, breath and enigmas/and re-build the space", wrote François Tanguy, the captain of the raft or 'Radeau'. At his sides, a team of faithful collaborators, performers and technicians alike, unveil his theatre.
In the same place
Kurō Tanino Maître obscur
In what ways does the unstoppable development of artificial intelligence (AI) permeate our lives and behaviour? Kurō Tanino, playwright of the poetry of our everyday lives and the imperceptible movements of the psyche, brings to the stage a world in which technology reveals the depths of our unconscious.
Katerina Andreou Bless This Mess
The choreographer Katerina Andreou draws upon the constant confusion and noise of the world as the driving force in this her first group piece. Playfulness, absurdity, fiction and poetry arise from within this mental and emotional state.
Satoko Ichihara Yoroboshi: The Weakling
Taking his inspiration from traditional Japanese forms, playwright and director Satoko Ichihara brings us a puppet theatre for today's world. It is a troubled one, in which the story revolves around the ambiguous nature of the dolls. In this modern tale, loneliness, suffering and sexuality are the driving forces behind these puppets the various weaknesses of which makes them ever more human.
Marcus Lindeen, Marianne Ségol Memory of Mankind
By reconstituting four perfectly extraordinary, but very real, stories Marcus Lindeen and Marianne Ségol raise questions about the notion of memory. Their unique form of theatre, in which spoken words of a personal nature are exchanged and feed off each other, is scrupulously crafted and philosophical in equal measure.
Alice Laloy Le Ring de Katharsy
There are no puppets in this large-scale new work by puppeteer Alice Laloy. Instead, we encounter humans which have been transformed into avatars and then thrown into a ring In order to compete in increasingly violent matches. This mise en abyme, at the frontier between wrestling-inspired ritual and video game scenario, invites us to question the limits of a society which simply follows orders.