Aymeric Hainaux François Chaignaud

Following on from t u m u l u s, François Chaignaud and Geoffroy Jourdain continue their exploration of Renaissance funeral chants, putting the audience at the very heart of the experience. This proximity means that the slightest breath, drop of sweat, or movement become sensory matter in which the celestial and the earthly intertwine.

The Festival d'Automne continues, for the third year in a row, its partnership with the Louvre Museum. Together, they have been building up a collection of new contemporary performances dedicated to the museum and its works. On the occasion of the 'Figures du Fou. Du Moyen-Âge à la Renaissance' exhibition, which explores the subversive value of the foolish or the nonsensical in medieval society, the dancer and choreographer François Chaignaud brings us Petites joueuses. In this piece, an immersive and uninterrupted journey through the medieval Louvre, mutant and resonant creatures take over its fortifications, giving rise to a somewhat disturbing carnival.

Committing moving bodies to a contemporary form of orality, Soa Ratsifandrihana, the guitarist Joël Rabesolo and performers Audrey Mérilus and Stanley Ollivier draw on their diasporic narratives and origins to tell a story they would have liked to hear or see. The three Malagasy words Fampitaha, fampita, fampitàna, meaning comparison, transmission and rivalry, form variations in which the performers slide in and out of different states and seem to follow a movement in perpetual metamorphosis.

Three women return from the past thanks to three female contemporary historians who bring them back to life via three separate accounts. Here, the actress Jeanne Balibar uses them as the basis for a staged reading. Four women from today’s world take a particularly eloquent and incisive look at three emblematic female destinies.

With a reputation for minimalist and captivating choreographies, Nacera Belaza continues the exploration of the circle and rhythm she initiated with Le Cercle (2019) and L'Onde (2021), both landmarks in her choreographic language. Following on from an initial period of creation in Brussels in May 2024, the choreographer then enlarged the creative process of La Nuée by inviting ten new performers to the stage.

Rimini Protokoll's roving director Stefan Kaegi takes us, in the company of three native performers and residents, to the island of Taiwan. The fictional element of this show, in which the onstage action filmed live takes us through the twists and turns of a miniature décor, points to a somewhat grotesque geopolitical reality.

Drawing upon Collodi's tale, the Cade-MacAskill duo uses theatre to investigate the little- explored realms of queer love and affection. In doing so, they tell the story of gender transition and its repercussions on the couple. The piece itself, The Making of Pinocchio, becomes a burlesque-inspired manifesto for different forms currently under construction.

Inspired by the work of Marcel Pagnol, this show explores the theme of escape. Some of the actors had their first experience of theatre at the Maison centrale d'Arles prison. Marius provides audiences with a unique opportunity to discover a little-known but crucial dimension of Joël Pommerat's art.