Fanny & Alexander
Nina
© Nina, Fanny & Alexander © Enrico Fedrigoli ©
Concept, direction and lighting, Luigi De Angelis
Performer, Claron McFadden
Dramaturgy and costumes, Chiara Lagani
Musical creation, Claron McFadden, Damiano Meacci
Electronic music and sound design, Damiano Meacci
Photography, Enrico Fedrigoli
Coaching, Andrea Argentieri
Ircam computer music collaboration, Manuel Poletti
Ircam sound diffusion, Jérémie Bourgogne
Stage manager, Nicolas Poulet
Lighting, Frédéric Gayaudon
Production Fanny & Alexander
In collaboration with Muziektheater Transparant ; Romaeuropa Festival ; Tempo Reale
Coproduction Ircam - Centre Pompidou (Paris) ; Festival d'Automne à Paris
Ircam - Centre Pompidou (Paris) and Festival d'Automne à Paris are co-producers and co-presenters of this show.
With the support of the Italian Cultural Institute, Paris
In Nina, the Fanny & Alexander company investigates, in a blend of music and performance, the human voice, via the technique of heterodirection. The soprano Claron McFadden embodies the mythical figure of Nina Simone, and conveys the unique energy of this individual who set out to be "the first black pianist".
Luigi De Angelis and Chiara Lagani, founder members of the Fanny & Alexander company have designed Nina as a sound and performance-based experimentation in homage to the singer, pianist and activist Nina Simone. Finding expression for the technique of heterodirection, the American soprano Claron McFadden uses earphones to connect in real-time to the voice of the artist. Alternating between legendary songs, evocation of political standpoints and also disappointments in the life of Nina Simone, Claron McFadden, accompanied by an "autopiano", as well as the sound design by Damiano Meacci, succeeds in embodying this historical figure in way which goes beyond mimetic representation, creating an effect of "fantastical superposition". Allowing herself to become inhabited by the presence of Nina Simone, the soprano gracefully illustrates the singularity of the human voice in the form of an inimitable "sound-print". At the crossroads between technology and magic, Nina steers spectators towards a reflection on the socio-racial questions at stake in our western societies.