Carte Blanche Alice Diop – Reformuler
Rite de passage – solo II, Bintou Dembélé
© Rite de passage - solo II, Bintou Dembélé © Christophe Raynaud de Lage ©
© Rite de passage - solo II, Bintou Dembélé © Christophe Raynaud de Lage ©
« Ce sont deux mondes chaotiques qui se confient
L’un demande à être initié, l’autre se sent vulnérable
Alors le silence s’invite, arrive la respiration
Une adresse et le mouvement apparaît
La musique percussive convoque le sacré
Séries de tremblements, ralentis, jaillissements
Jalonnent la prise d’espace
Le blaze Meech laissera place au récit de la lignée Onomo
Faire peau neuve, s’autoriser à
Lâcher prise dans la célébration
Le rite de passage se dessine pas à pas,
Invite au partage d’une expérience du déplacement
Des gestes d’antan qui s’entrecroisent
Avec le cri du corps d’aujourd’hui
L’ombre et la lumière déploient finement
Un entre-deux monde
Du vivant et de la mort,
Du visible et de l’invisible,
De l’arrêt et de la libération »
Bintou Dembélé
In the same place
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Lina Majdalanie, Rabih Mroué Quatre murs et un toit
In 1947, the trial of German playwright Bertolt Brecht took place in the United States in front of the House Un-American Activities Committee (HUAC), responsible for combating communist activism. It was here that Brecht wrote a declaration which he was forbidden to read out. The minutes of the trial, as well as this declaration, constitute one of the axes of this exuberant show.