Trajal Harrell

Onstage, we see seven piano stools, one for each performer. A musical score of a surprising nature awaits them. In 1975, on arriving at the Cologne Opera, Keith Jarrett noticed that the piano he was about to play on was not the right one. Despite his annoyance, he embarked upon an hour-long improvisation, the recording of which went on to become one of the highest-selling albums in the history of classical music and jazz: The Köln Concert. Trajal Harrell tackles it in a delicate way, by associating Keith Jarrett’s playing with four melancholic songs by Joni Mitchell. This new work commissioned by the Schauspielhaus Zürich Dance Ensemble, where the choreographer has been Associate artist since 2019, took note of the necessity, in 2020, to limit physical contact during rehearsals. Draped in black, tip-toeing, Trajal Harrell and his six fellow performers render up an individual dance form at the crossover between different genres, in which voguing is blended with influences ranging from Ancient Greek to Noh theatre.