Tânia Carvalho François Chaignaud

Following on from t u m u l u s, François Chaignaud and Geoffroy Jourdain continue their exploration of Renaissance funeral chants, putting the audience at the very heart of the experience. This proximity means that the slightest breath, drop of sweat, or movement become sensory matter in which the celestial and the earthly intertwine.

The Festival d'Automne continues, for the third year in a row, its partnership with the Louvre Museum. Together, they have been building up a collection of new contemporary performances dedicated to the museum and its works. On the occasion of the 'Figures du Fou. Du Moyen-Âge à la Renaissance' exhibition, which explores the subversive value of the foolish or the nonsensical in medieval society, the dancer and choreographer François Chaignaud brings us Petites joueuses. In this piece, an immersive and uninterrupted journey through the medieval Louvre, mutant and resonant creatures take over its fortifications, giving rise to a somewhat disturbing carnival.

Mohamed El Khatib furthers his passion for documentary theatre by tackling a subject that he brings from out of the shadows, namely that of eroticism and the love lives of “oldies”. Put together in a daring yet tender way, his new piece explores this theme from the perspective of desire, thereby going against the usual connotations associated with old age. 

The music of Jérôme Combier opens up the way we listen to the details of the world and their subtle mutations. Poetic, and punctuated by mysterious outbursts, his music celebrates a plasticity which in turn shapes its instrumental and electronic elements. Strands, his latest work, sets up relationships between the animal and plant worlds, weaving spider's web-like threads between.