Brigel Gjoka Rauf « RubberLegz » Yasit Ruşan Filiztek

Neighbours

Archive 2022
Dance
La Ferme du Buisson, Scène nationale – cinéma – centre d’art contemporain
novembernov 15
Chaillot – Théâtre national de la Danse
novembernov 17 – 24
Théâtre du Beauvaisis – Scène nationale
novembernov 29
Théâtre Louis Aragon, Scène conventionnée d’intérêt national Art et création – danse – Tremblay-en-France
decemberdec 3

© Neighbours, RubberLegz et Brigel Gjoka © Brian Ca ©

© Neighbours, RubberLegz et Brigel Gjoka © Brian Ca ©

© Neighbours, RubberLegz et Brigel Gjoka © Brian Ca ©

1/3

1h

Choreography and performance, Brigel Gjoka, Rauf “RubberLegz” Yasit
in collaboration with William Forsythe
Composition and music, Ruşan Filiztek, Accords Croisés
Lights, Zeynep Kepekli
Costumes, Ryan Dawson Laight

Sadler's Wells
Artistic and General Director, Sir Alistair Spalding
Executive Producer, Suzanne Walker
Director of Production and Distribution, Bia Oliveira
Production Manager, Florent Trioux
Production Manager, Molly Jones
Technical Director of Production, Adam Carrée
Technical Manager, Pete Maxey
Marketing Manager, Jordan Archer
Press Manager, Laura Neil

Produced by Sadler’s Wells (London)
Île-de-France tour produced by Festival d’Automne à Paris
Co-produced by PACT Zollverein (Essen); Pôle européen de création – Maison de la Danse Lyon; Biennale de la danse de Lyon; Cndc – Angers; TAP – Théâtre Auditorium de Poitiers; Sydney Festival; Chaillot – Théâtre national de la Danse (Paris); La Filature, Scène nationale (Mulhouse); Julidans (Amsterdam); Théâtre de Liège; MC2 Maison de la Culture de Grenoble; Teatro Municipal do Porto; KDF/Kalamata Dance Festival; Torinodanza Festival; Teatro Stabile di Torino – Teatro Nazionale; Festival d’Automne à Paris; Centre chorégraphique national de Caen en Normandie
Co-directed by Chaillot – Théâtre national de la Danse (Paris); Festival d’Automne à Paris for productions at Chaillot – Théâtre national de la Danse (Paris)
With support from Dance Reflections by Van Cleef & Arpels 

Two virtuoso performers from seemingly opposing artistic universes shed new light on the codes of hip-hop, classical and contemporary dance, thereby inventing a new language for the body. Under the supportive gaze of William Forsythe, they draw upon their personal and cultural memories in a dance piece which is forthright, playful, and joyous.

Brigel Gjoka trained as a classical dancer in his native Albania, and then went on to become a contemporary dancer. Rauf « RubberLegz » Yasit grew up in Germany, where he participated in Kurdish family festivities prior to indulging in his passion for hip-hop. They met while working as performers on William Forsythe’s A quiet evening of dance, an outstanding piece which outlined a new vision of ballet. Following on from this, their artistic exchanges with the composer, instrumentalist and musicologist, Ruşan Filiztek, helped them invent a near-fusional choreographic language, nourished by their respective traditions and openness to the different forms of contemporary, experimental expression. The body becomes a fertile feeding ground for the merging of memories going back to their childhood and youth – where neighbours become friends and the articulations spar with each other, as if their virtuosity was nothing more than a childhood game. Pushed to the limits, their movements embody the adage of their cultural traditions, by which “you don’t buy a house, but the neighbours”. 

In the same place

Chaillot – Théâtre national de la Danse
septembersept 26 – 29
Malakoff Scène nationale – Théâtre 71
novembernov 7

Nina Laisné, Néstor 'Pola' Pastorive
Como una baguala oscura

Dance
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In Como una baguala oscura, Nina Laisné teams up with dancer and choreographer Néstor 'Pola' Pastorive in this musical and danced portrait of Argentinian pianist Hilda Herrera. With its exploration of the roots of popular and folk music, she brings us a lively show with the hallmark of freedom stamped firmly upon it.
Chaillot – Théâtre national de la Danse
novembernov 27 – 30

Robyn Orlin, Garage Dance Ensemble, uKhoiKhoi
…How in salts desert is it possible to blossom...

DanceMusic
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This piece is the fruit of the first encounter between Robyn Orlin and the iconic South African company Garage Dance Ensemble. The latter practices dance theatre which is committed to equality and social justice. In the company of performers from the Northern Cape region, she brings us a no-holds-barred performance that questions the origins of social violence.
CENTQUATRE-PARIS
novembernov 5 – 8
Maison de la musique de Nanterre – Scène conventionnée d’intérêt national
novembernov 9
Théâtre Louis Aragon, Scène conventionnée d’intérêt national Art et création – danse – Tremblay-en-France
novembernov 30

Alessandro Sciarroni
U. (un canto)

Performance
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A year after the premier of IRIS at the Butte-aux-Cailles swimming pool, commissioned by the Festival d'Automne, in which he explored the Italian polyphonic repertoire, Alessandro Sciarroni brings us U. (un canto). This music-based performance piece evokes the profoundly mysterious relationship between human beings and nature.
Chaillot – Théâtre national de la Danse
decemberdec 5 – 8

Marcelo Evelin, Demolition Incorporada
Uirapuru

Dance
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In this piece, the choreographer Marcelo Evelin, from the north-east region of Brazil, invites us to set foot inside a metaphorical forest and its ecological condition. Through minimalist dance, and guided by the call of the legendary Uirapuru, a rare and endangered bird, six performers embody the promise of discovering what is and what still eludes our senses.
Points communs – Théâtre des Louvrais
novembernov 14 – 16
Scène nationale de l'Essonne – Théâtre de l’Agora
novembernov 19 – 20
MC93 – Maison de la Culture de Seine-Saint-Denis
novembernov 29 - december – dec 29
La Merise
decemberdec 12 – 14
La Ferme du Buisson, Scène nationale – cinéma – centre d’art contemporain
decemberdec 18 – 19

Joël Pommerat
Marius

Theatre

Inspired by the work of Marcel Pagnol, this show explores the theme of escape. Some of the actors had their first experience of theatre at the Maison centrale d'Arles prison. Marius provides audiences with a unique opportunity to discover a little-known but crucial dimension of Joël Pommerat's art.