Marlene Monteiro Freitas
idiota
octoberoct 26 – 29
© Idiota, Marlene Monteiro Freitas, © Bea Borgers ©
© Idiota, Marlene Monteiro Freitas, © Bea Borgers ©
© Idiota, Marlene Monteiro Freitas, © Bea Borgers ©
Choreography and performance, Marlene Monteiro Freitas
Assistant choreographer, Hsin-Yi Hsiang
Staging, Marlene Monteiro Freitas, Miguel Figueira, Yannick Fouassier
Lights, Yannick Fouassier
Sound, Rui Antunes
Costumes, Marlene Monteiro Freitas
Produced by P.OR.K (Soraia Gonçalves, Joana Costa Santos - Lisbonne)
Broadcast by Key Performance (Stockholm)
Co-produced by CNAD – Centro Nacional de Arte, Artesanato e Design (Mindelo); Kunstenfestivaldesarts (Brussels); Wiener Festwochen; Festival d’Automne à Paris
With support from the Theatre of Freiburg; Mattatoio – Azienda Speciale Palaexpo (Rome)
Co-directed by Palais de la Porte Dorée (Paris); Festival d’Automne à Paris
With support from Dance Reflections by Van Cleef & Arpels
This event is part of the 2022 France-Portugal Season
With support of LVMH, member of the Sponsors Committee of the 2022 France-Portugal Season
idiota is, first and foremost a box… of the magical, fascinating and altogether disturbing kind. Conceived and embodied by Marlene Monteiro Freitas herself, idiota aims to “mislead“ the audience, before reuniting with them, dazzled, at the end,
idiota, Marlene Monteiro Freitas’s latest piece, stems from a dialogue with the work of the Cape Verdean painter and sculptor, Alex Da Silva, who passed away in 2019. It constitutes the gateway for choreographer and performer’s imagination. Opening up a box of her own, Marlene Monteiro Freitas weaves in and out of the different spaces, multiplying the different possibilities. The idiota’s senses find themselves coming under attack, causing walls to be transformed into mirrors, doors into self-portraits, reminders of Pandora… In order to find the exit, idiota promises herself to overcome these challenges. This piece, which finds Marlene Monteiro Freitas in close proximity to the different bodies around her, is a celebration of the other. Before our eyes, the myth of Pandora, the first human of female gender in Greek mythology and bringer of all evil, is transformed into a source of infinite possibilities.
See also