Jeanne Balibar

Three women return from the past thanks to three female contemporary historians who bring them back to life via three separate accounts. Here, the actress Jeanne Balibar uses them as the basis for a staged reading. Four women from today’s world take a particularly eloquent and incisive look at three emblematic female destinies.

Committing moving bodies to a contemporary form of orality, Soa Ratsifandrihana, the guitarist Joël Rabesolo and performers Audrey Mérilus and Stanley Ollivier draw on their diasporic narratives and origins to tell a story they would have liked to hear or see. The three Malagasy words Fampitaha, fampita, fampitàna, meaning comparison, transmission and rivalry, form variations in which the performers slide in and out of different states and seem to follow a movement in perpetual metamorphosis.

Three women return from the past thanks to three female contemporary historians who bring them back to life via three separate accounts. Here, the actress Jeanne Balibar uses them as the basis for a staged reading. Four women from today’s world take a particularly eloquent and incisive look at three emblematic female destinies.

With a reputation for minimalist and captivating choreographies, Nacera Belaza continues the exploration of the circle and rhythm she initiated with Le Cercle (2019) and L'Onde (2021), both landmarks in her choreographic language. Following on from an initial period of creation in Brussels in May 2024, the choreographer then enlarged the creative process of La Nuée by inviting ten new performers to the stage.

On 11 November at the Théâtre des Bouffes du Nord, the Festival d'Automne is dedicating a concert to Joséphine Markovits. In her memory, the Ensemble Intercontemporain and the Ensemble L'Instant Donné will perform works by Claude Vivier, Olga Neuwirth, Gérard Pesson, Pierre-Yves Macé and Arnold Schoenberg. All proceeds from the ticket sales are donated to the Association for ALS Research.

Rimini Protokoll's roving director Stefan Kaegi takes us, in the company of three native performers and residents, to the island of Taiwan. The fictional element of this show, in which the onstage action filmed live takes us through the twists and turns of a miniature décor, points to a somewhat grotesque geopolitical reality.

For this new performance, titled Inconditionnelles singer, author, and choreographer Dorothée Munyaneza stages her French translation of Kae Tempest’s fervent play, Hopelessly Devoted (2015). Inconditionnelles explores the interstices where love and connection abound. 

Drawing upon Collodi's tale, the Cade-MacAskill duo uses theatre to investigate the little- explored realms of queer love and affection. In doing so, they tell the story of gender transition and its repercussions on the couple. The piece itself, The Making of Pinocchio, becomes a burlesque-inspired manifesto for different forms currently under construction.

Inspired by the work of Marcel Pagnol, this show explores the theme of escape. Some of the actors had their first experience of theatre at the Maison centrale d'Arles prison. Marius provides audiences with a unique opportunity to discover a little-known but crucial dimension of Joël Pommerat's art.

Six voices ring out, bringing with them the captivating stories of six men and women, aged between 30 and 60 years old, and who are currently serving prison sentences. Usually confined to within prison walls, their words find a stage on which to be heard at the Bouffes du Nord theatre.

Thirty years after the genocide in Rwanda, Dorcy Rugamba, actor, author and director, brings to life an extract from this work Hewa Rwanda – Lettre aux absents, published by JC Lattès.