Nicolas Bouchaud

Un vivant qui passe d’après Claude Lanzmann

Archive 2021
Theatre
Théâtre de la Bastille
decemberdec 2 - january – jan 2
Points communs – Théâtre 95
februaryfeb 3 – 4

© ©JeanLouisFernandez ©

© ©JeanLouisFernandez ©

© © JeanLouisFernandez ©

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A project by Nicolas Bouchaud
Directed by, Eric Didry
Based on Un vivant qui passe (A Visitor from the Living) by Claude Lanzmann
Adaptation, Nicolas Bouchaud, Éric Didry, and Véronique Timsit
With Nicolas Bouchaud
Artistic collaboration, Véronique Timsit
A coproduction by Théâtre de la Bastille and Festival d’Automne à Paris. This show is presented in association with Théâtre de la Bastille and Festival d’Automne à Paris.
Executive producer, Otto Productions ; andThéâtre Garonne – scène européenne (Toulouse)
A coproduction by Compagnie Italienne avec Orchestre (Paris) ; La Comédie de Clermont-Ferrand, scène nationale ; Bonlieu scène nationale Annecy ; Théâtre national de Nice – centre dramatique national Nice-Côte d’Azur ; Comédie de Caen – centre dramatique national de Normandie ; Théâtre de la Bastille (Paris) ; and Festival d’Automne à Paris
In association with Théâtre de la Bastille (Paris) ; and Festival d’Automne à Paris
Partnership with France Inter

Following on from the adaptation of the novel by Thomas Bernhard Maîtres Anciens (Old Masters) the director and writer Nicolas Bouchaud continues his exploration of non-theatre texts for the stage. The book Un vivant qui passe (A Visitor from the Living), the transcription of an interview conducted by Claude Lanzmann during the filming of Shoah, lies at the heart of this new show.

For his documentary Shoah, Claude Lanzmann interviews Maurice Rossel, former representative of the International Red Cross, in Berlin. On the 23rd June 1944, the young Rossel set off to inspect the Terezin « show ghetto » or « ghetto Potemkine » in the former Czechoslovakia. Hoodwinked by the staging orchestrated by the nazis, he neither saw nor understood what was going on. From the encounter between this man and the director was born another film, followed by a book, Un vivant qui passe. In it, Claude Lanzmann poses a central question : what is seeing? In the company of his long-term collaborators Éric Didry and Véronique Timsit, Nicolas Bouchaud uses this testimony as a way of asking if this passive spectator of barbarism was in fact the voice of a commonplace form of antisemitism ever present in the contemporary world. Similar to the cinematographer, the artistic gesture of the actor-creator invites us, by means of the stage, to reinvent, over and over again, the passing on of the story of the Shoah.

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Points communs – Théâtre 95
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