Mette Ingvartsen
The Dancing Public
decemberdec 15 – 17
© © Hans Meijer ©
© © Hans Meijer ©
Concept & Performance, Mette Ingvartsen
Lighting design, Minna Tiikkainen
Set design, Mette Ingvartsen & Minna Tiikkainen
Musical arrangements, Mette Ingvartsen & Anne van de Star
Costumes, Jennifer Defays
Dramaturgy, Bojana Cvejić
Technical direction, Hans Meijer
Company management, Ruth Collier
Production and administration, Joey Ng
A production, Great Investment vzw
Music, Affkt feat. Sutja Gutierrez, Scanner, Radio Boy, LCC, VII Circle, Kangding Ray, Paula Temple, Ron Morelli, Valanx, Anne van de Star
Co-production: PACT Zollverein (Essen) ; Kaaitheater (Bruxelles) ; Tanzquartier Wien ; SPRING Performing Arts Festival (Utrecht) ; Kunstencentrum Vooruit
(Gand) ; Les Hivernales – CDCN d’Avignon ; Charleroi danse – Centre Chorégraphique de la Fédération Wallonie-Bruxelles ; NEXT Festival (Courtrai) ;
Festival d’Automne à Paris
In association with la vie brève – Théâtre de l’Aquarium ; Atelier de Paris / CDCN ; Festival d’Automne à Paris
With the support of Bikubenfonden and Kunstencentrum Buda (Kortrijk)
Funded by The Flemish Authorities, The Danish Arts Council and The Flemish Community Commission (VGC)
Supported by the Fondation d’entreprise Hermès within the framework of the New Settings Program
Using the « dance manias » of the Middle Ages as her starting point, Mette Ingvartsen brings us as a choreographic response to the urgency of the situation. In this oral and physical performance that oscillates between liberating movement and uncontrollable pulsations, her words give shape to the capacity of the dancing body for rebellion.
In a context of epidemics and famine, mediaeval Europe was witness to outbursts of irrepressible dancing, with men and women taking to the streets and dancing frenetically for days, sometimes weeks, without stopping. These dance “diseases” remain largely unexplained: were they proof of an illness, or a means of healing? Were they an uncontrollable trance or collective catharsis? With the world having to confront itself to a pandemic which has overturned our relationship with the body, Mette Ingvartsen uses this historic context as a means of putting the current situation into perspective. With her solo The Dancing Public, she brings into existence a manifesto for the return to movement linking together word and gesture, thereby enabling us to assess the destabilising capacity of the dancing body. Run through with frenetic movements, she journeys through the different eras, delves deep into the religious, medical and political discourses which have always sought to rationalise this excess. Going from the articulation of the spoken word to revolutionary chants, her body becomes the seismographer of a troubled present. It transmits the urgency of a collective impulsion.