Kelly Reichardt
L’Amérique retraversée
© First Cow, 2020 © Allyson Riggs – Courtesy of A24 ©
© Wendy & Lucy (2009 ) © Field Guide Films, Film Science ©
This event is organised by les Cinémas du Département culture et création du Centre Pompidou in association with the Festival d’Automne à Paris
In partnership with France Culture
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First Cow
Fri. 14 october 20h
Certaines femmes
Fri. 15 and sat. 23 october 20h
Wendy et Lucy
Sat. 16 october 20h, sun. 24 october 17h
Courts et moyens métrages
Sat. 16 and sun. 24 october 14h30
Old Joy
Sat. 16 october 17h, wed. 20 october 20h
Dernière Piste (La)
Sun. 17 october 17h, sun. 24 october 20h
River of Grass
Sun. 17 et sat. 23 october 14h30
Night Moves
Mon. 18 october 20h, sat. 23 october 17h
Safe
Fri. 22 october 20h
Kelly Reichardt the filmmaker behind, amongst others, Wendy & Lucy, Meek’s Cutoff, and Certain Women examines the United States, its present and its past from a different perspective. The Centre Pompidou has invited her to present a retrospective of her films, a body of work which revisits American cinema and the road-movie, thriller and Western genres.
After working alongside Hal Hartley and Todd Haynes – her future executive producer – Kelly Reichardt made River of Grass in 1994, “a road-movie without a road, a love story without the love, and a crime story without the crime”, a film which earned her a place on the American independent film scene. It was not until several years later, following her discovery of Oregon, the cinematic backdrop for a number of her films, that she took up her place as one of its major figures, with the release of Old Joy (2007) and in particular Wendy &Lucy (2009). This film about a young, poverty-stricken woman and her dog, forced to take to the open road, signalled the start of her collaboration with the actress Michelle Williams and earned her international recognition. With her examination into the various constructions at work in present-day American society in the eco-terrorism inspired thriller Night Moves (2014), and the unforgettable, interwoven portraits in Certain Women (2017) Kelly Reichardt goes back to its origins with two Westerns, Meek’s Cutoff and her latest film, The First Cow (2020). Together they provide an alternative vision of the conquest of the Far West and the emergence of capitalism.
In addition to this retrospective, a series of unique films, masterclasses, artistic encounters and books will give us an in-depth insight into this filmmaker, and the task of revaluating the world which she has discreetly undertaken.
In the same place
Mathilde Monnier Territoires
In Territoires, Mathilde Monnier will be taking over the galleries of the Centre Pompidou during the course of a weekend in order to bring us a piece that deals with memory and circulation, "a collection of gestures from her work over the past thirty years". In doing so, the choreographer sets up the possibility of playing out memory in the present, from now onwards, or by means of anticipation.
Apichatpong Weerasethakul Complete retrospective of films and videos
Apichatpong Weerasethakul presents the complete retrospective of his films at the Centre Pompidou. It consists of his eight feature films, thirty or so short (and rare) films, various collective works, and two feature films produced by him.
Apichatpong Weerasethakul Night Particles
The Thai filmmaker Apichatpong Weerasethakul is guest at the Festival d'Automne and Centre Pompidou. His exhibition, featuring around ten video installations, transforms the former solarium into a nocturnal space inhabited by biographical and architectural reminiscences.
Apichatpong Weerasethakul A Conversation with the Sun (VR), extended edition
The Thai filmmaker's second foray into performance art, A Conversation with the Sun (VR), extended edition, presented in Paris in a new version enhanced by a third part, uses virtual reality to create the conditions for a collective dream.
Ligia Lewis Still Not Still
In Still Not Still, choreographer Ligia Lewis pursues her exploration into the silences and shadows of history. In this piece, the performers play out a score over and over again, the burlesque dimension of which makes it all the more tragic.
Forced Entertainment Signal to Noise
Over its forty years of existence, with Tim Etchells at the helm, the company has never stopped reinventing itself. And it continues to do so. Amidst an oscillating form of virtual reality, six performers find themselves deprived of their voices and their entire beings. The whole thing goes beyond all understanding... Welcome to this new world.
Sébastien Kheroufi Par les villages
Sébastien Kheroufi discovered Peter Handke's Par les villages at the onset of his artistic career. It evokes a writer's return to his native village. Amidst the twilight setting in which one universe declines in favour of another, the voices of the “offended and humiliated” break their silence.