Fanny de Chaillé
Le Chœur
© © Marc Domage ©
© © Marc Domage ©
© © Marc Domage ©
Conception, Fanny de Chaillé
Based on the poem Et la rue de Pierre Alferi, taken from the collection divers chaos (P.O.L.)
With the 2020 « Talents Adami Théâtre » graduates: Marius Barthaux, Marie-Fleur Behlow, Rémy Bret, Adrien Ciambarella, Maud Cosset-Chéneau, Malo Martin, Polina Panassenko, Tom Verschueren, Margot Viala, and Valentine Vittoz
Assistant, Christophe Ives
Rehearsal diary, Grégoire Monsaingeon
Sound and radio, Manuel Coursin
Lighting, Willy Cessa
This show is coproduced by Festival d’Automne à Paris and CND Centre national de la danse. The Festival d’Automne à Paris presents this show in association with CND Centre national de la danse and Théâtre 14.
A production by Association DISPLAY, Isabelle Ellul
A coproduction by Adami ; Festival d’Automne à Paris ; and CND Centre national de la danse (Pantin)
In association with CND Centre national de la danse (Pantin) ; and Festival d’Automne à Paris
In association with Théâtre 14 (Paris) ; and Festival d’Automne à Paris
In collaboration avec Atelier de Paris / CDCN and assistance from Cité Internationale des Arts de Paris
Fanny de Chaillé returns with her show Le Choeur, first performed during the Festival’s 2020 edition as part of the Talent Adami Théâtre initiative. Ten young actors and actresses constitute a body of ten voices. Onstage, different stories intertwine, converse and converge in a single momentum.
The format of the chorus, both actor and spectator, enunciator and silent audience, enables Fanny de Chaillé to dig deeper into her research on the spoken word and its reception. How can we involve the body in the telling of a story? In the company of ten young actors and actresses, the female director draws up a choreography, both corporal and sound-based: whispers, collective narration and personal accounts unfurl on stage in a common outbreath. From out of this staging emerges a fresh new way of making theatre, which is both joyful and free. The text by the poet Pierre Alferi, taken from his collection diverse chaos, blends with texts by each of the performers, invented during the rehearsals. Underlying these slices of life is a question: how does History meet with our own history? How do the intimate and the collective event cross each other’s paths? The show multiplies the different accounts, opening up an infinite variety of possibilities: it speaks to us of the fabric of a contemporary chorus, unveiling its pulsations and energy.
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