Faustin Linyekula

For Faustin Linyekula, dance and theatre are inextricably linked to political and social issues, and are a means of passing on the events of our past. Following on from Histoire(s) du Théâtre (1), presented in 2018, in which Milo Rau evoked the birth of a contemporary tragedy, the director and choreographer returns to a founding moment in the history of the stage in the Democratic Republic of Congo. In 1974, a time when the country was still known as Zaire and under Mobuto’s dictatorship, the latter created a national ballet. The extensive broadcasting on the national television channel of the first piece, L’épopée de Lyanja, participated in the construction of an identity-based representation of the Zairean nation. However, what could have been a remarkable means of reflection on the creation of national sentiment rapidly turned into a propaganda tool. Faustin Linyekula, for whom the rebroadcasting on television of this ballet constituted his first experience of the theatre, calls upon three of its performers at the time, still members of the Ballet today, to evoke their memories via a mixture of song, dance and theatre. Their respective paths in life, coupled with various other accounts, provide us with an emotional retelling of the story of a nation of multiple facets, in search of its identity.