Boris Charmatz
La Ruée
Concept, Boris Charmatz
With Jessica Batut, Nadia Beugré, Fanny de Chaillé, Sidonie Duret, Kerem Gelebek, Yves-Noël Genod, Alexis Hedouin, Rémy Héritier, (LA)HORDE, Samuel Lefeuvre, Bernardo Montet, Marlène Saldana, Arthur Nauzyciel, Salia Sanou, Solene Wachter et les élèves de la promotion 10 de l’École du Théâtre National de Bretagne : Olga Abolina, Louis Atlan, Laure Blatter, Aymen Bouchou, Clara Bretheau, Valentin Clabault, Maxime Crochard, Amélie Gratias, Romain Gy, Alice Kudlak, Julien Lewkowicz, Arthur Remi, Raphaëlle Rousseau, Salomé Scotto, Merwane Tajouiti, Maxime Thebault, Lucas Van Poucke, Mathilde Viseux, Lalou Wysocka
Artistic accompaniment for the TNB students, Peggy Grelat-Dupont, Thierry Micouin
Lighting installation, Douce France, Yves Godin
Produced by terrain (Hauts-de-France) ; and Musée de la danse – Centre chorégraphique national de Rennes et de Bretagne (2018)
In association with MC93 – Maison de la Culture de Seine-Saint-Denis (Bobigny) ; and Festival d’Automne à Paris
terrain receives financial support from the Ministry of Culture – Direction Générale de la Création Artistique and Région Hauts-de-France.
As part of its implantation in Hauts-de-France, terrain is an associate artist at the Opéra de Lille, Le phénix, scène nationale (Valenciennes) and Maison de la Culture d'Amiens.
Boris Charmatz is accompanied by Charleroi danse – Centre Chorégraphique de la Fédération Wallonie-Brussels from 2018 until 2021.
First performed on the 28th November 2018 at the Théâtre National de Bretagne (Rennes)
With the support of the Fondation d'entreprise Hermès
In partnership with France Culture
A collective performance based loosely on the book Histoire mondiale de la France by Patrick Boucheron, La Ruée signalled the last event in the Musée de la danse, the structure Boris Charmatz has directed over the last ten years. As part of the Portrait opening, this dancing and speaking community is set to stir up History, shaking up its grey areas and matching its unspoken thoughts as it recalls dates from prehistory to the year 2015.
Situated in the heart of the Seine-Saint-Denis area, the MC93 de Bobigny is at the crossroads of France’s various histories – its working class history, as well as its colonial, urban and cultural ones. What better place to make heard the open History proposed by the Histoire mondiale de la France collective work, published in 2017 by the historian Patrick Boucheron in an effort to counter identity-based tensions? How can we give voice to a book, make history move on, and pass it through moving bodies in order to disseminate its different areas of knowledge within the confines of a theatre? In order to take up the challenge, Boris Charmatz has brought together dancers, performers and actors, creating a constellation of simultaneous actions: from 34,000 B.C. to 2015, from Lascaux to the Francs, from The Terror to the Universal Declaration of Human Rights, and until the death of Michel Foucault, the bodies of those participating bring the dates to life, crossing time-scales and places in the process. We witness the articulation of a unique intertwining of unknown zones in History and the bringing up to date of their meaning. Chanted, yelled, murmured, told balancing on one hand or doing tap dancing at the same time, La Ruée is a form of history which exposes the manner in which History acts upon bodies, stirs and structures them. At the heart of Yves Godin’s lighting installation Douce France, part-state of emergency and part-nightclub, embodied dates and facts go on the rampage in the theatre space.
––––––
Running time : 3h
In the same place
Soa Ratsifandrihana Fampitaha, fampita, fampitàna
Committing moving bodies to a contemporary form of orality, Soa Ratsifandrihana, the guitarist Joël Rabesolo and performers Audrey Mérilus and Stanley Ollivier draw on their diasporic narratives and origins to tell a story they would have liked to hear or see. The three Malagasy words Fampitaha, fampita, fampitàna, meaning comparison, transmission and rivalry, form variations in which the performers slide in and out of different states and seem to follow a movement in perpetual metamorphosis.
Jeanne Balibar Les Historiennes
Three women return from the past thanks to three female contemporary historians who bring them back to life via three separate accounts. Here, the actress Jeanne Balibar uses them as the basis for a staged reading. Four women from today’s world take a particularly eloquent and incisive look at three emblematic female destinies.
Nacera Belaza La Nuée
With a reputation for minimalist and captivating choreographies, Nacera Belaza continues the exploration of the circle and rhythm she initiated with Le Cercle (2019) and L'Onde (2021), both landmarks in her choreographic language. Following on from an initial period of creation in Brussels in May 2024, the choreographer then enlarged the creative process of La Nuée by inviting ten new performers to the stage.
Stefan Kaegi (Rimini Protokoll) This is not an embassy (Made in Taiwan)
Rimini Protokoll's roving director Stefan Kaegi takes us, in the company of three native performers and residents, to the island of Taiwan. The fictional element of this show, in which the onstage action filmed live takes us through the twists and turns of a miniature décor, points to a somewhat grotesque geopolitical reality.
Rosana Cade, Ivor MacAskill The Making of Pinocchio
Drawing upon Collodi's tale, the Cade-MacAskill duo uses theatre to investigate the little- explored realms of queer love and affection. In doing so, they tell the story of gender transition and its repercussions on the couple. The piece itself, The Making of Pinocchio, becomes a burlesque-inspired manifesto for different forms currently under construction.
Joël Pommerat Marius
Inspired by the work of Marcel Pagnol, this show explores the theme of escape. Some of the actors had their first experience of theatre at the Maison centrale d'Arles prison. Marius provides audiences with a unique opportunity to discover a little-known but crucial dimension of Joël Pommerat's art.