Richard Linklater
Le cinéma, matière-temps
© "Boyhood", Richard Linklater, 2014 © Boyhood Inc., IFC Productions I ©
This event is organised by the Cinémas du Département du développement culturel du Centre Pompidou in conjunction with Festival d’Automne à Paris.
Over the last thirty years, the independent American filmmaker Richard Linklater has been developing a body of work combining the popular with the experimental. The Centre Pompidou has invited him to present, for the first time, the retrospective of all of his films, and also an exhibition reflecting the central theme running through his cinema, time.
In the context of the American cinematographic landscape at the dawn of the 1990’s , Slacker (1990) and Dazed and Confused (1993) sent sparks flying. Spectators and critics were not mistaken: at the heart of these fragmented narratives taking place over the course of a single day, Richard Linklater seized upon the spirit of his generation, that of a youth coming of age, on its way to an adulthood the conventions of which it rejected.
His subsequent films used the passage of time, its reversals, and traces as its raw material. Accordingly, nine years separated each opus in the romantic trilogy Before Sunrise (1995), Before Sunset (2004) and Before Midnight (2013), and which earned him widespread recognition in France. Audiences watched Julie Delpy and Ethan Hawke’s onscreen transformation over time. Shot over a period of twelve years with the same actors, the family chronicle Boyhood (2014) follows a child aged eight years old on his journey to adulthood. Over the course of twenty-five films and a photographic exposition, as well as unique videos and films, Richard Linklater, the cult filmmaker and innovator, reveals the extent to which the time constitutes the foundation of his work.
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Due to the national strike until December 22, The Centre Pompidou exceptionally closes at 6PM, the Linklater's films scheduled from Mon.16 to Fri. 20 are canceled or postponed. More information at centrepompidou.fr
In the same place
Mathilde Monnier Territoires
In Territoires, Mathilde Monnier will be taking over the galleries of the Centre Pompidou during the course of a weekend in order to bring us a piece that deals with memory and circulation, "a collection of gestures from her work over the past thirty years". In doing so, the choreographer sets up the possibility of playing out memory in the present, from now onwards, or by means of anticipation.
Apichatpong Weerasethakul Complete retrospective of films and videos
Apichatpong Weerasethakul presents the complete retrospective of his films at the Centre Pompidou. It consists of his eight feature films, thirty or so short (and rare) films, various collective works, and two feature films produced by him.
Apichatpong Weerasethakul Night Particles
The Thai filmmaker Apichatpong Weerasethakul is guest at the Festival d'Automne and Centre Pompidou. His exhibition, featuring around ten video installations, transforms the former solarium into a nocturnal space inhabited by biographical and architectural reminiscences.
Apichatpong Weerasethakul A Conversation with the Sun (VR), extended edition
The Thai filmmaker's second foray into performance art, A Conversation with the Sun (VR), extended edition, presented in Paris in a new version enhanced by a third part, uses virtual reality to create the conditions for a collective dream.
Ligia Lewis Still Not Still
In Still Not Still, choreographer Ligia Lewis pursues her exploration into the silences and shadows of history. In this piece, the performers play out a score over and over again, the burlesque dimension of which makes it all the more tragic.
Forced Entertainment Signal to Noise
Over its forty years of existence, with Tim Etchells at the helm, the company has never stopped reinventing itself. And it continues to do so. Amidst an oscillating form of virtual reality, six performers find themselves deprived of their voices and their entire beings. The whole thing goes beyond all understanding... Welcome to this new world.
Sébastien Kheroufi Par les villages
Sébastien Kheroufi discovered Peter Handke's Par les villages at the onset of his artistic career. It evokes a writer's return to his native village. Amidst the twilight setting in which one universe declines in favour of another, the voices of the “offended and humiliated” break their silence.