Merce Cunningham

Cunningham x 100 Conservatoire national supérieur de musique et de danse de Paris

Archive 2019
Dance
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Choreography, Merce Cunningham
With one hundred dance section students and percussion section students from the Conservatoire national supérieur de musique et de danse de Paris
Music, John Cage
Produced by Conservatoire national supérieur de musique et de danse de Paris
In association with La Villette – Grande Halle (Paris) ; and Festival d’Automne à Paris
First performed on the 30th novembre 2019 à La Villette – Grande Halle (Paris), with Festival d’Automne à Paris

The first Merce Cunningham event took place in 1964, and was a means for presenting dance extracts in interaction with other activities carried out live. In order to revive this principle, the Conservatoire national supérieur de musique et de danse de Paris (C.N.M.S.D.P) brings us a large-scale event involving all the dancers from the Conservatoire.

One hundred dance section students from the CNSMDP will be taking over the stage of the Grande Halle de la Villette for a choreographic happening spanning different repertory pieces, from the 1950’s to the 1990’s. It will be the opportunity for its director, Cédric Andrieux – a former dancer in Cunningham’s company who trained at the Conservatoire –, to evoke the close ties between the CNSMDP and the American master, and the importance of the Cunningham technique in its contemporary dance program.
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Running time : 1h
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By way of a statement of intent for the events, Merce Cunningham wrote: « Events consist of complete dances, excerpts of dances, and often new sequences arranged for the particular performance and place, with the possibility of several separate activities happening at the same time – to allow for not so much an evening of dances as the experience of dance. »

In the same place

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One Thousand and One Nights

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La Villette
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Theatre

Like descending into the darkest depths of hell, Carolina Bianchi exposes the unspeakable horror of sexist violence, plunging us into a median space in which all memory becomes blurred. Following in the footsteps of the artist Pippa Bacca, she uses her own body for the purposes of the piece, thereby anchoring herself in the history of feminist performance, and casting a critical gaze upon it at the same time.

La Villette
novembernov 21 - december – dec 21

Théo Mercier
Skinless

Performance
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Brought to the stage by visual artist Théo Mercier, Skinless is a disenchanted Eden built on a landscape of rubbish. Amidst this XXL end-of-the-world panorama, an out of the ordinary couple loves and tears each other apart under the watchful eye of a tragic observer.

La Villette
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Romeo Castellucci, Esa-Pekka Salonen, Gustav Mahler
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Théâtre musical
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Directed by Romeo Castellucci, Gustav Mahler's Resurrection symphony seems to take on all its tragic grandeur. Masterfully conducted by Esa-Pekka Salonen, the Italian director magnifies this monumental work in order bring us a funereal “song of the earth” from which nobody emerges unscathed.

La Villette
decemberdec 12 – 14

Marlene Monteiro Freitas, Ballet de l’Opéra de Lyon
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Dance
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Following on from the Portrait dedicated to her by the Autumn Festival two years ago, Marlene Monteiro Freitas hijacks the match: twenty-five virtuoso performers, each wearing the same number 3 vests, throw the score into disarray, measure themselves against the grotesque and warp the game. This show sees the eccentric choreographer passing on to the Lyon Opera Ballet a jousting match of hybrid times, a carnivalesque fresco in which the human, animal and machine have a tendency to merge.