La Ribot 

Panoramix

Archive 2019
Dance
1/4

Conceived, directed, choreographed and performed by La Ribot
Lighting for the re-run, Eric Wurtz
Lighting and sound, Daniel Demont
Costumes and accessories, La Ribot, and Pepe Rubio
Spatial conception, La Ribot, Almudena Ribot
Music, Paolo Conte, Ivano Fosatti, Rubén Gonzalez, Fernando Lopez Hermoso, Javier Lopez de Guereña, Django Reinhardt, Carles Santos, Erik Satie, and Velma
Produced by La Ribot-Genève ; and 36 Gazelles (London)
A project in association with Artsadmin (London)
In association with Les Spectacles Vivants – Centre Pompidou (Paris) ; and Festival d’Automne à Paris
With support from Fondation d’entreprise Hermès as part of its New Settings programme
With support from CORODIS (Suisse)
First performed on 26th March 2003 at the Tate Modern, as part of Live Culture (London)
In partnership with France Culture

An anthology piece, Panoramix serves as a demonstration of the comical and critique-based might of La Ribot’s meta-performances. It takes a fresh look at the conditions of aesthetical reception and uses it as the basis for ridiculing the forms of the consumed body.

Distinguished pieces, the backbone of Ribot’s repertory of works, inaugurates a show format organised into short vignettes which are numbered and associated in series. Panoramix rearticulates thirty-four pieces devised between 1993 and 2000, without putting them into any chronological order. Focusing, respectively, on lightness, rapidity and visibility, according to a typology inspired by Italo Calvino, they bring to the stage La Ribot activating commonplace, run-of-the-mill domestic objects – an item of clothing, chair, book, tuba, or a mirror – which have been spread across the floor or taped to the walls. Her own body, the common thread underlying the constant, splintered metamorphosis, operates micro-actions. Evolving in an open space in which audience members are free to move around from one viewpoint to the next, they shed a derisive light on the art market and consumerism.
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Running time : 3h
Galerie 3 - Niveau mezzanine

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Apichatpong Weerasethakul
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Visual arts Focus
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Points communs – Théâtre 95
novembernov 12 – 13

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Théâtre des Quartiers d'Ivry
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Sébastien Kheroufi discovered Peter Handke's Par les villages at the onset of his artistic career. It evokes a writer's return to his native village. Amidst the twilight setting in which one universe declines in favour of another, the voices of the “offended and humiliated” break their silence.