Aurélie Charon Amélie Bonnin Caroline Gillet

Mohamed El Khatib furthers his passion for documentary theatre by tackling a subject that he brings from out of the shadows, namely that of eroticism and the love lives of “oldies”. Put together in a daring yet tender way, his new piece explores this theme from the perspective of desire, thereby going against the usual connotations associated with old age. 

Fabien Gorgeart adapts the narrative might of Les Gratitudes, the novel by Delphine de Vigan. It recounts the final moments in the life of Michka and her words which little by little fail her. Despite the fear of the forthcoming silence, the protagonist builds up a relation with Jérôme, her speech-therapist, enabling her to delve deep into the intricacies of her past. 

A year after the premier of IRIS at the Butte-aux-Cailles swimming pool, commissioned by the Festival d'Automne, in which he explored the Italian polyphonic repertoire, Alessandro Sciarroni brings us U. (un canto). This music-based performance piece evokes the profoundly mysterious relationship between human beings and nature.

On 11 November at the Théâtre des Bouffes du Nord, the Festival d'Automne is dedicating a concert to Joséphine Markovits. In her memory, the Ensemble Intercontemporain and the Ensemble L'Instant Donné will perform works by Claude Vivier, Olga Neuwirth, Gérard Pesson, Pierre-Yves Macé and Arnold Schoenberg. All proceeds from the ticket sales are donated to the Association for ALS Research.

For this new performance, titled Inconditionnelles singer, author, and choreographer Dorothée Munyaneza stages her French translation of Kae Tempest’s fervent play, Hopelessly Devoted (2015). Inconditionnelles explores the interstices where love and connection abound. 

Six voices ring out, bringing with them the captivating stories of six men and women, aged between 30 and 60 years old, and who are currently serving prison sentences. Usually confined to within prison walls, their words find a stage on which to be heard at the Bouffes du Nord theatre.

Thirty years after the genocide in Rwanda, Dorcy Rugamba, actor, author and director, brings to life an extract from this work Hewa Rwanda – Lettre aux absents, published by JC Lattès.

Sébastien Kheroufi discovered Peter Handke's Par les villages at the onset of his artistic career. It evokes a writer's return to his native village. Amidst the twilight setting in which one universe declines in favour of another, the voices of the “offended and humiliated” break their silence.