tg STAN de Roovers

Infidèles

Archive 2018
Theatre
Théâtre de la Bastille
septembersept 10 – 28
Le Théâtre de Rungis
januaryjan 10
Le POC Scène artistique d’Alfortville
januaryjan 16

© Infidèles © Stef Stessel ©

© Infidèles © Stef Stessel ©

© Infidèles © Stef Stessel ©

1/3

By and with Ruth Becquart, Robby Cleiren, Jolente De Keersmaeker and Frank Vercruyssen
Text, Ingmar Bergman
Costumes, An d'Huys
Lighting, Stef Stessel
A production by tg STAN ; de Roovers
A coproduction with Théâtre Garonne – scène européenne (Toulouse) ; Théâtre de la Bastille (Paris) ; and Festival d’Automne à Paris
In association with Théâtre de la Bastille (Paris) ; and Festival d’Automne à Paris for performances at Théâtre de la Bastille (Paris)
First performed on 2 May 2018 at Théâtre Garonne – scène européenne (Toulouse)Infidèles is presented with support from Adami.
Infidèles is presented in partnership with France Inter.

With three shows, Infidèles, Après la répétition and Atelier, tg STAN once again take to the stage with their customary mixture of humour and sharp wit, investigating the frontiers between art and life. Onstage, human beings love, lose and find each other once again. Set against this is the constant backdrop of the art of the actor and the very practice of theatre as an object of reflection and representation.

With Infidèles, tg STAN prolongs its incursion into the work of Bergman. Taken from one of his film scenarios, Infidèles (Faithless), penned in 1996, in which the film-maker puts himself centre-stage, the piece is also mixed with passages from Laterna Magica, Bergman’s autobiography. We are presented with two texts written by an aging yet lucid artist, capable of casting a retrospective gaze on his life. Onstage, the character of Marianne is the principal voice. An actress, she recounts and reminisces, interrupting the dead end monologue of a lone writer in search of inspiration, named Bergman. With this new piece, tg STAN, accompanied by Robby Cleiren, from the De Roovers collective pays homage to the Swedish film-maker, and looks deep into his life and soul. Whilst Infidèles has a strong autobiographical dimension, the piece also throws light upon Bergman’s art of observation, his capacity to dissect the most intimate of human relations and to talk about our feelings, on the border between love and hate.
––––––
Estimated running time: 2h

In the same place

Théâtre de la Bastille
septembersept 23 - october – oct 23

Gurshad Shaheman, Dany Boudreault
Sur tes traces

Theatre

The piece takes us a road-trip in the form of a double portrait involving two destinies, namely those of Gurshad Shaheman born in Iran, and Dany Boudreault in Quebec. Authors, directors and performers, the two artists got to know each other in Europe. Here, each of them sets off in search of their respective pasts.
Théâtre de la Bastille
octoberoct 9 – 19

Marion Duval
Cécile

TheatrePerformance

Certain encounters are life-changing. This piece is about Marion Duval's encounter with Cécile Laporte, an activist and author to whom she has decided to dedicate a show. The resulting 'truth-performance' is an inspiring one and enables us to embrace the unbearable complexity of the world in a light-hearted way.
Le Théâtre de Rungis
novembernov 5
Le POC Scène artistique d’Alfortville
novembernov 7
Théâtre de Saint-Maur
novembernov 12

Fabien Gorgeart, Delphine de Vigan
Les Gratitudes

RépertoireTheatre
Buy tickets

Fabien Gorgeart adapts the narrative might of Les Gratitudes, the novel by Delphine de Vigan. It recounts the final moments in the life of Michka and her words which little by little fail her. Despite the fear of the forthcoming silence, the protagonist builds up a relation with Jérôme, her speech-therapist, enabling her to delve deep into the intricacies of her past. 
Théâtre de la Bastille
decemberdec 9 – 14

Jaha Koo
Haribo Kimchi

Theatre

Haribo Kimchi, a hybrid performance combining text, music, video and robotics, embraces South Korean cuisine as part of an investigation into cultural assimilation, together with its conflicts and paradoxes. It enables Jaha Koo to ask questions first raised in his Hamartia trilogy.