Eleanor Bauer

Échelle Humaine / A lot of moving parts

Archive 2018
Dance
1/3

A lot of moving parts
Estimated running time: 1h
Concept, choreography, text and interpretation, Eleanor Bauer
Costumes, Sofie Durnez
Lights, Jonatan Winbo
Music, WATT (Jean Dousteyssier, Jean-Brice Godet, Antonin-Tri Hoang and Julien Pontvianne)

First performed on the 20th of September 2018 at Lafayette Anticipations in partnership with le Festival d’Automne à Paris
Production GoodMove vzw
With the support of SKH Stockholm University of the Arts, DOCH University of Dance and Circus and Lafayette Anticipations
La Fondation d’entreprise Hermès is the patron of the Anne Teresa De Keersmaeker Portrait.
Partnership with France Inter

For this first edition of Échelle Humaine, the Lafayette Anticipations dance festival will be teaming up with the Festival d’Automne’s Portrait of Anne Teresa De Keersmaeker. Over the course of a week, the choreographer, in the company of Andros Zins-Browne, Eleanor Bauer and Radouan Mriziga will be taking over the playing spaces of the new foundation with movement.

In her new solo titled A lot of moving parts, American choreographer Eleanor Bauer prods at the Greek etymology of her own discipline: khoreía "circular dance" and graph "writing" to locate the fragile place of writing in the embodied practices and mostly oral traditions of dance. A lot of moving parts presents both thoughts in motion and a movement in thoughts. Bauer focuses here on the frictions, collisions and impossible translations between dance and language with her poems and essays that accompany the performance. In her choreographic search for “the simplest containers in which the complexity of dance can thrive,” Bauer creates an intimate context in which the audience can feel their way through the dance with all of their senses. Her body appears and disappears in a room of squishy, luminous, and sonic modules that continuously reconfigure the physical, imaginary, and symbolic space of the performance.
––––––
Estimated running time: 1h

In the same place

Lafayette Anticipations – Fondation Galeries Lafayette
septembersept 20

Rabih Mroué
Make Me Stop Smoking

ConferenceTheatre Portrait
Buy tickets

Rabih Mroué's objective with his “non-academic conferences” is to subvert, via the perspective of performance, the principle of the conference. He does so by imitating the mechanisms at work within the conference format. He does not set out to make fun of the principle of the conference itself, but rather to exploit the power of the exercise as a form of public address. This is achieved by operating a shift of a voluntarily ambiguous nature, passing from presentation to representation and from reality to the imagination. The illusion it sets up is a disturbing one: the tone is neutral, the expertise seems well proven, and the documents supporting the speech suggest authenticity. This, of course, is precisely the aim of the whole mischievous, moving and intellectually stimulating operation.

Lafayette Anticipations – Fondation Galeries Lafayette
septembersept 21 - 22
Musée de l’Orangerie
octoberoct 14

Dalila Belaza
Figures (version performative)

Dance
Buy tickets

In Figures, Dalila Belaza looks into the possibility of a universal rite, by inventing an imaginary traditional dance "without origin or territory" that links the present to eternity. This force takes possession of the body, echoing a heritage that each of us carries with us, often unconsciously.

Lafayette Anticipations – Fondation Galeries Lafayette
septembersept 21

Rabih Mroué
The Inhabitants of Images

ConferenceTheatre Portrait
Buy tickets

Rabih Mroué's objective with his “non-academic conferences” is to subvert, via the perspective of performance, the principle of the conference. He does so by imitating the mechanisms at work within the conference format. He does not set out to make fun of the principle of the conference itself, but rather to exploit the power of the exercise as a form of public address. This is achieved by operating a shift of a voluntarily ambiguous nature, passing from presentation to representation and from reality to the imagination. The illusion it sets up is a disturbing one: the tone is neutral, the expertise seems well proven, and the documents supporting the speech suggest authenticity. This, of course, is precisely the aim of the whole mischievous, moving and intellectually stimulating operation.

Lafayette Anticipations – Fondation Galeries Lafayette
septembersept 22

Rabih Mroué
Sand in the Eyes

ConferenceTheatre Portrait
Buy tickets

Rabih Mroué's objective with his “non-academic conferences” is to subvert, via the perspective of performance, the principle of the conference. He does so by imitating the mechanisms at work within the conference format. He does not set out to make fun of the principle of the conference itself, but rather to exploit the power of the exercise as a form of public address. This is achieved by operating a shift of a voluntarily ambiguous nature, passing from presentation to representation and from reality to the imagination. The illusion it sets up is a disturbing one: the tone is neutral, the expertise seems well proven, and the documents supporting the speech suggest authenticity. This, of course, is precisely the aim of the whole mischievous, moving and intellectually stimulating operation.