Anne Teresa De Keersmaeker Salva Sanchis
A Love Supreme
A Love Supreme © Anne Van Aerschot ©
Choreography by Salva Sanchis, Anne Teresa De Keersmaeker
Music, John Coltrane, A Love Supreme
With José Paulo dos Santos, Bilal El Had / Robin Haghi, Jason Respilieux, and Thomas Vantuycom
Lighting, Jan Versweyveld
Revised lighting design by Anne Teresa De Keersmaeker and Luc Schaltin
Costumes, Anne-Catherine Kunz
A Rosas production
Executive production for the Paris region tour by Festival d’Automne à Paris
A coproduction with La Monnaie / De Munt (Brussels)
Original version created in 2005 with Cynthia Loemij, Moya Michael, Salva Sanchis, and Igor Shyshko First performance of new version on 23 February 2017 at Kaaitheater (Brussels)
The Fondation d’entreprise Hermès is the patron for the Anne Teresa De Keersmaeker Portrait
In partnership with France Inter
A Love Supreme, the saxophonist John Coltrane’s magnum opus is a wild and raging psalm, underscored by a mystical pulse. In the company of the choreographer Salva Sanchis, Anne Teresa De Keersmaeker ventures into this unexplored musical territory, embracing its every syncopated beat. In this new version, they will be journeying through this smouldering material with the same exigence of freedom.
A Love Supreme – from the album of the same name by John Coltrane – is choreographed for a male quartet by Salva Sanchis and Anne Teresa De Keersmaeker. In 2005, the two choreographers began collaborating on their combined fascination for this legendary musical work. Basing themselves on a few elementary musical structures, Coltrane and his musicians go beyond all the limits of improvisation, conquering a land of unbounded freedom in the process. Here, dance provides its literal translation. The choreographers meet up to the challenge laid down by Coltrane, intermingling improvisation and writing in a seamless way. In this new version, Sanchis and De Keersmaeker have rewritten their 2005 work with the help of four young dancers. Their indefatigable vitality makes Coltrane’s homage to divine love a dazzling one indeed.
Estimated running time: 50 min.
See also
Anne Teresa De Keersmaeker, Radouan Mriziga / Rosas, A7LA5 Il Cimento dell’Armonia e dell’Inventione
In collaboration with the choreographer and dancer Radouan Mriziga, the challenge taken up by Anne Teresa De Keersmaeker is to make Vivaldi's Four Seasons heard, using the tools of dance to hone the way we listen to this baroque masterpiece. Under the auspices of abstraction, the resulting alliance reconnects with the imaginary ecological world that is conjured up by this famous concerto.
Rabih Mroué, Anne Teresa De Keersmaeker A little bit of the moon
As part of a special invitation by the Festival d'Automne, choreographer Anne Teresa De Keersmaeker and director Rabih Mroué shared, over the course of ten months, their thoughts, concerns, doubts, and questions regarding politics, art and life. After numerous exchanges by videoconference, the two artists now come together on the site of the former industrial complex, the new home of the Fiminco Foundation. Together, for the duration of a performance, they will be drawing up the plans for a new world for all.
In the same place
Mohamed El Khatib La vie secrète des vieux
Mohamed El Khatib furthers his passion for documentary theatre by tackling a subject that he brings from out of the shadows, namely that of eroticism and the love lives of “oldies”. Put together in a daring yet tender way, his new piece explores this theme from the perspective of desire, thereby going against the usual connotations associated with old age.
Fabien Gorgeart, Delphine de Vigan Les Gratitudes
Fabien Gorgeart adapts the narrative might of Les Gratitudes, the novel by Delphine de Vigan. It recounts the final moments in the life of Michka and her words which little by little fail her. Despite the fear of the forthcoming silence, the protagonist builds up a relation with Jérôme, her speech-therapist, enabling her to delve deep into the intricacies of her past.
Joël Pommerat Marius
Inspired by the work of Marcel Pagnol, this show explores the theme of escape. Some of the actors had their first experience of theatre at the Maison centrale d'Arles prison. Marius provides audiences with a unique opportunity to discover a little-known but crucial dimension of Joël Pommerat's art.
Talents Adami Theater, Mohamed El Khatib Stand-up
What will it be this time: thunderous applause or icy silence? In Mohamed El Khatib's opinion, the inherently risky nature of stand-up comedy elevates it to a theatrical art in its own right. A framework for expression of all kinds, it clears the path for transgressive laughter, in a cathartic space which brings us all together.