Anne Teresa De Keersmaeker Ictus
Rain (live)
Choreography, Anne Teresa De Keersmaeker
Music, Steve Reich, Music for 18 Musicians
With Laura Bachman, Anika Edström Kawaji, Zoi Efstathiou, Yuika Hashimoto, Laura Maria Poletti, Soa Ratsifandrihana, Frank Gizycki, and Robin Haghi / Lav Crnčević, and Luka Švajda
Musical direction, Georges-Elie Octors
Musicians, Ensemble Ictus – Miquel Bernat, Tom De Cock, Géry Cambier, Michael Weilacher, Jessica Ryckewaert (percussion) ; Gerrit Nulens, Georges-Elie Octors (percussion and piano) ; Laurence Cornez, Jean-Luc Fafchamps, Stéphane Ginsburgh, Jean-Luc Plouvier (piano) ; Dirk Descheemaeker, Carlos Galvez (clarinet) ; Igor Semenoff (violin) ; Geert De Bièvre (cello) ; Synergy Vocals – Micaela Haslam, Amanda Morrison, Heather Cairncross, Caroline Jaya-Ratnam (voices)
Stage and lighting design, Jan Versweyveld
Costumes, Dries Van Noten
A Rosas production (2001) ; La Monnaie / De Munt (Bruxelles)
A coproduction (2016) with La Monnaie / De Munt (Brussels) ; Sadler’s Wells Theatre (London) ; and Les Théâtres de la Ville de Luxembourg
In association with La Villette (Paris) ; Théâtre de la Ville-Paris ; and Festival d’Automne à Paris
With support from Adami
First performed on 10 January 2001 at La Monnaie / De Munt (Brussels)
The Fondation d’entreprise Hermès is the patron for the Anne Teresa De Keersmaeker portrait
In partnership with France Inter
In Anne Teresa De Keersmaeker’s hands, what is Rain? Answer: an uninterrupted torrent of interwoven movements which repeat and answer each other, taking her minimalist geometry to new heights of harmony. Set to Music for 18 Musicians by Steve Reich, played live onstage by the Ictus ensemble, she has composed an edifice of pure dance which follows each and every contour of the musical loops.
Created in 2001, set to the music of Steve Reich, Rain is one of Anne Teresa De Keersmaeker’s most electrifying works. In many respects, Rain continues and amplifies the work initiated in Drumming three years earlier : the mathematised shapes, unceasing repetition, geometric occupation of the space, and art of permanent variation. In Rain, everything that had more or less become the choreographer’s trademark is pushed to the extreme. What we are presented with is a sort of mayhem of movement, which spreads, similar to a tide or fire, from one body to the next without ever stopping. Carried along by the irresistible, rhythmic waves of Steve Reich’s music, the ten dancers abandon themselves to an irrepressible, collective energy which interconnects them. We soon find ourselves being confronted with a unique community of beings, which never turns into a “mass”. Instead, what we have is a pulsating network of breathing, speeding bodies brought together by that strange form of friendship that only exhaustion breeds.
Running time: 1h10
See also
Anne Teresa De Keersmaeker, Radouan Mriziga / Rosas, A7LA5 Il Cimento dell’Armonia e dell’Inventione
In collaboration with the choreographer and dancer Radouan Mriziga, the challenge taken up by Anne Teresa De Keersmaeker is to make Vivaldi's Four Seasons heard, using the tools of dance to hone the way we listen to this baroque masterpiece. Under the auspices of abstraction, the resulting alliance reconnects with the imaginary ecological world that is conjured up by this famous concerto.
Rabih Mroué, Anne Teresa De Keersmaeker A little bit of the moon
As part of a special invitation by the Festival d'Automne, choreographer Anne Teresa De Keersmaeker and director Rabih Mroué shared, over the course of ten months, their thoughts, concerns, doubts, and questions regarding politics, art and life. After numerous exchanges by videoconference, the two artists now come together on the site of the former industrial complex, the new home of the Fiminco Foundation. Together, for the duration of a performance, they will be drawing up the plans for a new world for all.
In the same place
Sorour Darabi, DEEPDAWN One Thousand and One Nights
Sorour Darabi, the Iranian choreographer, who has been living in France since 2013, unveils his first opera, an ambulatory performance which enables voices marginalized by ancient myths to be heard. It is a piece devised by and for committed bodies.
Carolina Bianchi y Cara de Cavalo Trilogie Cadela Força – Chapitre I : A Noiva e o Boa Noite Cinderela
Like descending into the darkest depths of hell, Carolina Bianchi exposes the unspeakable horror of sexist violence, plunging us into a median space in which all memory becomes blurred. Following in the footsteps of the artist Pippa Bacca, she uses her own body for the purposes of the piece, thereby anchoring herself in the history of feminist performance, and casting a critical gaze upon it at the same time.
Théo Mercier Skinless
Brought to the stage by visual artist Théo Mercier, Skinless is a disenchanted Eden built on a landscape of rubbish. Amidst this XXL end-of-the-world panorama, an out of the ordinary couple loves and tears each other apart under the watchful eye of a tragic observer.
Romeo Castellucci, Esa-Pekka Salonen, Gustav Mahler Symphonie No. 2 “Résurrection” With the Paris Orchestra
Directed by Romeo Castellucci, Gustav Mahler's Resurrection symphony seems to take on all its tragic grandeur. Masterfully conducted by Esa-Pekka Salonen, the Italian director magnifies this monumental work in order bring us a funereal “song of the earth” from which nobody emerges unscathed.
Marlene Monteiro Freitas, Ballet de l’Opéra de Lyon Canine Jaunâtre 3
Following on from the Portrait dedicated to her by the Autumn Festival two years ago, Marlene Monteiro Freitas hijacks the match: twenty-five virtuoso performers, each wearing the same number 3 vests, throw the score into disarray, measure themselves against the grotesque and warp the game. This show sees the eccentric choreographer passing on to the Lyon Opera Ballet a jousting match of hybrid times, a carnivalesque fresco in which the human, animal and machine have a tendency to merge.