William Forsythe Trisha Brown Jérôme Bel
Ballet de l’Opéra de Lyon
The Second Detail
Choreography, stage and lighting design by William Forsythe
Realization of The Second Details (2017), Noah Gelber and Amy Raymond
Music, Thom Willems © Boosey & Hawkes Music Publishers Limited
Costumes, William Forsythe and Issey Miyake
A piece for 14 dancers // First performed by the Canadian National Ballet in 1991 in Toronto. It became part of the Ballet de l’Opéra de Lyon’s repertory of works on the 7th November 1995
Set and Reset / Reset
Choreography, Trisha Brown
Realisation of Set and Reset / Reset (2017), Brandi Norton and Katrina Warren
based on an original idea by Robert Rauschenberg
Music, Laurie Anderson
Stage design, Michael Meyers
Costumes, Adeline André
Lighting, Patrice Besombes
A piece for 6 dancers // The original version of Set and Reset was first performed in 1983 by the Trisha Brown Dance Company // The version for the Ballet de l’Opéra de Lyon became part of its repertory on the 17th May 2005
Posé arabesque, temps lié en arrière, marche, marche
creation
Choreography and light, Jérôme Bel
Assisted by Cédric Andrieux
Music, Léon Minkus, part of La Bayadère
Costumes, Jérôme Bel in association with the dancers of Ballet de l’Opéra de Lyon
First performance by the Ballet de l’Opéra de Lyon will be on the 14th September 2017
In association with Maison des Arts Créteil ; Théâtre de la Ville-Paris ; Festival d’Automne à Paris // With support from l’Adami
Partnership with France Culture
The choreographer Jérôme Bel will be overseeing this three-part programme. In it will be his latest work, devised in resonance to the other two. Going from a classical form to a contemporary approach, the Ballet de l’Opéra de Lyon will be taking us through the history of dance in this stimulating detour.
In response to the invitation by Ballet de l’Opéra de Lyon, Jérôme Bel himself will be putting together the entire evening’s events. He has chosen Second Detail by William Forsythe to open the proceedings, followed by Set and Reset / Reset by Trisha Brown. His own work will bring the evening to a close. Via this programme, Jérôme Bel will be putting into perspective the history of dance. William Forsythe’s work, emblematic of a certain model of classical dance takes us back to the XIXth century. Trisha Brown’s brand of modernity then transports us into the XXth century. The question for him will be how to continue this History/Story put in motion by the two choreographers.
First performed in 1991 by the Canadian National Ballet, Second Detail was subsequently integrated into The Loss of a Small Detail, a work that William Forsythe devised that year for his own company, the Frankfurt Ballet. Set against the frenetic rhythms of Thom Willems’s score, the work sees thirteen virtuoso, grey leotard-clad dancers battling it out.
Although it premiered eight years prior to this, the dance in Set and Reset / Reset by Trisha Brown is of a truly contemporary nature. Its highly original stage design by Robert Rauschenberg was reworked in 2005 when the work entered the Ballet de l’Opéra de Lyon repertory. Despite the rigorous stage indications, the dancers move with a level of fluidity bordering on improvisation. This breathtaking, milestone piece became the manifest for American post-modernist dance.
See also
Jérôme Bel, Estelle Zhong Mengual Recommencer ce monde (les créatures fabuleuses)
Pursuing the collaboration they began in 2023, Jérôme Bel and Estelle Zhong Mengual bring Baptiste Morizot 's thoughts to the stage in order to ask questions about our place in the living world. Together, they conjure up an account or story that is told to a child by a female philosopher. The ancestral worlds it evokes set up the possibility of reinventing the present one.
Marlene Monteiro Freitas, Ballet de l’Opéra de Lyon Canine Jaunâtre 3
Following on from the Portrait dedicated to her by the Autumn Festival two years ago, Marlene Monteiro Freitas hijacks the match: twenty-five virtuoso performers, each wearing the same number 3 vests, throw the score into disarray, measure themselves against the grotesque and warp the game. This show sees the eccentric choreographer passing on to the Lyon Opera Ballet a jousting match of hybrid times, a carnivalesque fresco in which the human, animal and machine have a tendency to merge.