Jérôme Bel
The show must go on
Candoco Dance Company
© The show must go on © Pedro Machado ©
© The show must go on © Pedro Machado ©
Conceived and directed by Jérôme Bel
Performed by Vanessa Abreu, Megan Armishaw, Jo Bannon, Suzie Birchwood, Joel Brown, Jia-Yu Corti, Gary Clarke, Mickaella Dantas, Karim Dime, Olivia Edginton, Robert Eldridge, Linda Fearon, Katy Francis, Andrej Gubanov, Jason Mabana, Matthew Morris, Laura Patay, Susan Sentler,
Betty Skelton, Mickel Smithen, Toke Broni Strandby, Nicolas Vendange
Casting, Barbara Van Lindt and Jérôme Bel
Technical management, Gilles Gentner
Music, Leonard Bernstein, David Bowie, Nick Cave, Norman Gimbel and Charles Fox, J. Horner, W.Jennings, Mark Knopfler, John Lennon and Paul McCartney, Louiguy, Galt Mac Dermott, George Michael, Erick "More" Morillo and M. Quashie, Edith Piaf, The Police and Hugh Padgham, Queen, Lionel Richie, A.Romero Monge and R. Ruiz, Paul Simon
Relocation assistants, Dina Ed Dik, and Henrique Neves
Production and tour management, Candoco Dance Company
Co-produced by Théâtre de la Ville-Paris ; Gasthuis (Amsterdam) ; ICI – Centre chorégraphique national de Montpellier Languedoc-Roussillon ; Arteleku Gipuzkoako Foru Aldundia (Saint-Sébastien) ; and R.B. Jérôme Bel (Paris) // In association with MC93 – Maison de la Culture de Seine-Saint-Denis (Bobigny) ; Théâtre de la Ville-Paris ; and Festival d’Automne à Paris for performances at MC93 – Maison de la Culture de Seine-Saint-Denis // With support from Fondation Crédit Coopératif and Fonds Handicap & Société par Intégrance // In association with the British Council // First performed on the 4th January 2001 at Théâtre de la Ville-Paris. The Candoco Dance Company version was first performed on the 20th March 2015 at Sadler’s Wells Theatre (London)
20 performers, 19 songs and one DJ. By use of a simple action/reaction mechanism in between the hits and moving bodies, Jérôme Bel has devised a piece which brings together affect and concept, collective subconscious and exhibition of uniqueness. In this revival featuring members of Candoco Dance Company, the show goes on (going on)...
The Show Must Go On, originally a song by Queen, is also the name of one of the choreographer Jérôme Bel’s most prolific works. The simplicity of its effects endows it with the value of a conceptual manifesto. However, the show, with its double covering of referential layers which almost conceals its meaning, is also a statement: “the show must go on”. It becomes an affirmation of the persistence of the moving bodies and of dance - once we have stripped them of the artifices of virtuosity and eye-catching movements. Songs, bodies and statements is what the show is about. It resembles a sort of choreographic karaoke in which the performers do exactly as they are told to do in the words of the songs, thereby shifting the relationship between what we see and what we hear, what we await and what we receive, what we feel and what we perceive. As always in the work of Jérôme Bel, the scope of the piece extends far beyond its concept. It serves to amplify and extend its combinatorial elements into the here and now. Since its first performance in 2001, The Show Must Go On has never stopped going on(wards). This new version is in collaboration with the Candoco Dance Company, in which dancers, professional and amateur, handicapped and non-handicapped alike, work together. The piece has echoes with Disabled Theater and Gala, recent creations by the choreographer. They are a testament to Jérôme Bel’s ability to absorb bodies of all kinds... and to continue, against all odds, to give resonance to and interpret the signifiers of our era.
In the same place
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Jeanne Balibar Les Historiennes
Three women return from the past thanks to three female contemporary historians who bring them back to life via three separate accounts. Here, the actress Jeanne Balibar uses them as the basis for a staged reading. Four women from today’s world take a particularly eloquent and incisive look at three emblematic female destinies.
Nacera Belaza La Nuée
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Stefan Kaegi (Rimini Protokoll) This is not an embassy (Made in Taiwan)
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Rosana Cade, Ivor MacAskill The Making of Pinocchio
Drawing upon Collodi's tale, the Cade-MacAskill duo uses theatre to investigate the little- explored realms of queer love and affection. In doing so, they tell the story of gender transition and its repercussions on the couple. The piece itself, The Making of Pinocchio, becomes a burlesque-inspired manifesto for different forms currently under construction.
Joël Pommerat Marius
Inspired by the work of Marcel Pagnol, this show explores the theme of escape. Some of the actors had their first experience of theatre at the Maison centrale d'Arles prison. Marius provides audiences with a unique opportunity to discover a little-known but crucial dimension of Joël Pommerat's art.