Jérôme Bel
Pichet Klunchun and myself
© Pichet Klunchun and myself © Jérôme Bel ©
© Pichet Klunchun and myself © Association R.B. ©
Concept, Jérôme Bel
Devised and performed by Jérôme Bel and Pichet Klunchun
Commissioned by Tang Fu Kuen for the Bangkok Fringe Festival // Co-produced by Bangkok Fringe Festival (Bangkok) ; SACD Le Vif du Sujet (Paris) ; Festival Montpellier Danse 2005 ; R.B. Jérôme Bel (Paris) // In association with Les Spectacles vivants – Centre Pompidou (Paris) ; Festival d’Automne à Paris // With support from l’Institut Français (Paris), l’Alliance française de Bangkok, the cultural department of Ambassade de France à Bangkok and « The Flying Circus Project » in Singapore // First performed on 12 Decembre 2004 in Bangkok as part of the Bangkok Fringe Festival // with thanks to : Frie Leysen and Mark De Putter // R.B. receives support from the Ministère de la Culture et de la Communication, Direction Régionale des Affaires Culturelles d'Ile-de-France, in the form of financial assistance for registered choreographic companies, and from l'Institut Français, and the Ministère des Affaires Etrangères, for its overseas tours.
Partnership with France Culture
Three names, three pieces (one of which is a film version) each of which reveals a state of Jérôme Bel’s thoughts on choreographic creation. Cédric Andrieux, Véronique Doisneau and Pichet Klunchun and myself are portraits in the true sense of the word. These pieces seek to capture the dancer’s uniqueness, and their relationship with their practice. These pieces give us a documentary, fully embodied look at those who make dance happen.
In Pichet Klunchun and myself, the portrait is a double one. The cultural distance with the traditional Thai dance performer demands a theatrical apparatus which leaves room for dialogue and alterity. Jérôme Bel and Pichet Klunchun stand face to face, both of them confronted with this reciprocal gulf in terms of codes and gestures. Step by step, they talk to each other, show each other, explain the movements, their meanings, and the way of seeing and doing them. From one tradition to another, what emerges is a fascinating mise en abyme of how dance is made, thought and conceived.
Véronique Doisneau (2004) et Cédric Andrieux (2009)
In the same place
Mathilde Monnier Territoires
In Territoires, Mathilde Monnier will be taking over the galleries of the Centre Pompidou during the course of a weekend in order to bring us a piece that deals with memory and circulation, "a collection of gestures from her work over the past thirty years". In doing so, the choreographer sets up the possibility of playing out memory in the present, from now onwards, or by means of anticipation.
Apichatpong Weerasethakul Complete retrospective of films and videos
Apichatpong Weerasethakul presents the complete retrospective of his films at the Centre Pompidou. It consists of his eight feature films, thirty or so short (and rare) films, various collective works, and two feature films produced by him.
Apichatpong Weerasethakul Night Particles
The Thai filmmaker Apichatpong Weerasethakul is guest at the Festival d'Automne and Centre Pompidou. His exhibition, featuring around ten video installations, transforms the former solarium into a nocturnal space inhabited by biographical and architectural reminiscences.
Apichatpong Weerasethakul A Conversation with the Sun (VR), extended edition
The Thai filmmaker's second foray into performance art, A Conversation with the Sun (VR), extended edition, presented in Paris in a new version enhanced by a third part, uses virtual reality to create the conditions for a collective dream.
Ligia Lewis Still Not Still
In Still Not Still, choreographer Ligia Lewis pursues her exploration into the silences and shadows of history. In this piece, the performers play out a score over and over again, the burlesque dimension of which makes it all the more tragic.
Forced Entertainment Signal to Noise
Over its forty years of existence, with Tim Etchells at the helm, the company has never stopped reinventing itself. And it continues to do so. Amidst an oscillating form of virtual reality, six performers find themselves deprived of their voices and their entire beings. The whole thing goes beyond all understanding... Welcome to this new world.
Sébastien Kheroufi Par les villages
Sébastien Kheroufi discovered Peter Handke's Par les villages at the onset of his artistic career. It evokes a writer's return to his native village. Amidst the twilight setting in which one universe declines in favour of another, the voices of the “offended and humiliated” break their silence.