Claude Debussy Jörg Widmann Luciano Berio Igor Stravinsky

 

Archive 2017
Music
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Luciano Berio
Sinfonia, for eight solo voices and orchestra
György Ligeti
Poème symphonique pour cent métronomes
Jörg Widmann
Fantasie, for clarinet solo
Igor Stravinsky
Symphony of Psalms, for mixed chorus and orchestra
Intermission
Jörg Widmann
Au cœur de Paris (world premiere – commissioned by the Orchestre de Paris for its 50th anniversary)
Claude Debussy
La Mer, three symphonic sketches for orchestra
Franz Schubert / Luciano Berio
An die Musik, D.547, arrangement for orchestra and  chorus of Luciano Berio

London Voices
Ben Parry, choir master
Chorus of the Orchestre de Paris
Lionel Sow
, choir master
Orchestre de Paris
Conductor, Daniel Harding
Jörg Widmann,
clarinett
Philippe Aïche, Roland Daugareil,
violins solos

Coproduction: Orchestre de Paris; Festival d’Automne à Paris

 

Celebrating the 50th anniversary of the Orchestre de Paris, with an extensive program and our traditional partners.
As soon as the Paris Autumn Festival was founded in 1972, it embarked on joint initiatives with the Orchestre de Paris. Between 1972 and 1990, these included concerts conducted by names such as Georg Solti, Zubin Mehta, Daniel Barenboim and Bernard Haitink.
The grand 50th anniversary concert will see the Orchestre de Paris conducted by Daniel Harding, and a special program designed for the event, with one work written the year the Orchestra was established: Luciano Berio’s Sinfonia composed in 1967, and dedicated to Leonard Bernstein to mark the 125th anniversary of the New York Philharmonic, will be performed here with the London Voices. Continuing with traditional partners, it will then be the Choir of the Orchestre de Paris. As anniversaries are ideal opportunities for composing original works, we can recall that Stravinsky’s Symphony of Psalms was commissioned by Serge Koussevitzky to mark the 50th anniversary of the Boston Symphony Orchestra. Stravinsky had been asked to write something “popular” and symphonic, but insisted on the psalms and voices as well as the symphony, but it certainly became popular.
The Orchestre de Paris could not celebrate its half century without the Festival d’Automne, nor could it celebrate music without an original work to premiere, and it will be by Jörg Widmann, a prolific composer, former student of Wolfgang Rihm, and an outstanding clarinetist who has been featured in the Festival d’Automne à Paris since 2005. The concert program also includes one of the traditional pieces in the repertoire of the orchestra, one of its great favorites: La Mer by Debussy, offering eloquent proof that vast dimensions can arise from a quest for evanescence, or, in the words of Claude Debussy: “I can glimpse the possibility of music made entirely of grand lines that would be played in the open air and take flight joyfully above the treetops.”

In the same place

Cité de la musique – Philharmonie de Paris
octoberoct 11

Clara Iannotta
echo from afar (II) ; a stir among the stars, a making way ; Œuvre nouvelle

Music Portrait
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What are the relationships between a spider's growth, the sound experience of radiotherapy and the lights and clicking sounds of old-fashioned slide viewers? The work of Clara Iannotta, of which this concert offers a journey through its recent years, is a mode of self-knowledge, or an autobiography in which sound and body are intimately linked.

Cité de la musique – Philharmonie de Paris
octoberoct 26

Karlheinz Stockhausen
Donnerstag aus Licht – Acte 3

OperaMusic
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Donnerstag (Thursday), the first opera of the Licht (Light) cycle, to which Karlheinz Stockhausen devoted twenty-five years of his life, is the day of Archangel Michael, his youth, journey around the earth and his return. It is also an autobiographical moment in time, overwhelmingly so, in a spiral that leads to the stars and the harmony of the universe.

Cité de la musique – Philharmonie de Paris
novembernov 25

Heiner Goebbels
A House of Call – My Imaginary Notebook

Music
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A House of Call, a vast, lavishing, Babylonian imaginary notebook of Heiner Goebbels' travels around the world, is a sum total of sounds, styles, languages, cultures and voices. It brings us the voices of the living and the dead, recorded over the course of just over a century. Its orchestra responds to the grains of these voices, thereby renewing a centuries-old tradition of responsorial art.