Olivier Coulon-Jablonka
Pièce d’actualité nº3
81, avenue Victor Hugo
septembersept 13 – 17
octoberoct 18 – 19
novembernov 8 – 9
novembernov 15
Written by Olivier Coulon-Jablonka, Barbara Métais-Chastanier and Camille Plagnet
Director, Olivier Coulon-Jablonka
With Adama Bamba, Moustapha Cissé, Ibrahim Diallo, Mamadou Diomandé, Inza Koné, Souleyman S., Méité Soualiho, Mohammed Zia
Artistic collaborators, Barbara Métais-Chastanier and Camille Plagnet
Technical director, Richard Ageorges
Assistant technical director, Siegfried July
General stage manager, Alexis Jimenez
Sound operator, Géraldine Dudouet
Lighting operator, David Pasquier
Stage manager, David Gondal
Set construction, Lucas Frankias, Christophe Bernard
A production by La Commune centre dramatique national d’Aubervilliers // A Moukden-Théâtre coproduction with support from Conseil Régional d’Île-de-France, Conseil Départemental de Seine-Saint-Denis and Plaine Commune Promotion, with support from the Fondation agnès b. // In association with Théâtre de la Ville-Paris ; Festival d’Automne à Paris for performances at the Théâtre des Abbesses // Thanks to Justin Jaricot, Anne Kaempf, Lior Shoov, Jeanne Sicre, Lili Dupuis, DAL, CNT, CIMADE, Franz Kafka, Tiken Jah Fakoly and La Commune technical team // First performed on 5th May 2015 at La Commune centre dramatique national d’Aubervilliers
First performed in May 2015, the underlying principle behind 81, avenue Victor Hugo is that of a commission made to artists for a show linked to Aubervilliers, the area in which La Commune centre dramatique national d’Aubervilliers is situated. The response of the theatre director Olivier Coulon-Jablonka and his collaborators Barbara Métais-Chastanier and Camille Plagnet was to roam its streets. In the course of their wanderings, they came across a migrants collective, based in the disused Pôle Emploi unemployment offices situated on avenue Victor Hugo. From out of this encounter with the collective, together with the exchanges, actions of solidarity and shared sense of militancy that ensued, the show was born. Performed by 8 members of the collectif, 81, avenue Victor Hugo tells of exile and treacherous life stories. More than anything, it is a reminder that what follows on from the unthinkable land and sea crossings is none other than the unassailable machine of the French administration, with all its kafkaesque exigences. Avoiding the purely spectacular or instrumentalization of the performers of any kind, the staging of this show puts itself at the service of these individuals who are so often condemned to invisibility.
In the same place