George Benjamin Richard Wagner Johannes Brahms
Dream of the Song...
George Benjamin © Matthew Lloyd ©
Richard Wagner: Parsifal, Prélude
George Benjamin: Dream of the Song, for countertenor, female chorus and orchestra
French première, commissioned by the Royal Concertgebouw Orchestra Amsterdam, the BBC and Boston Symphony Orchestras, and the Festival d’Automne à Paris
Johannes Brahms: Symphony nº1
Bejun Mehta, countertenor
SWR Vokalensemble Stuttgart
Denis Comtet, choirmaster
Orchestre de Paris
Daniel Harding, conductor
Jointly produced by the Orchestre de Paris and the Festival d’Automne à Paris
France Musique is recording the concert
After writing his opera Written on Skin, George Benjamin immersed himself in the light of Granada and a thousand years of its poetry to write Dream of the Song. The composer describes this work as follows : “Samuel HaNagid and Solomon Ibn Gabirol wrote in Hebrew in the mid-11th century, while the third of the poets I set, Federico García Lorca, wrote in Spanish and was killed by Fascists soon after the Spanish Civil War broke out in 1936. Despite the centuries which separate them and the difference in language, all these texts were inspired by a common source: Arabic poetry, which flowered in Andalucía from the 9th century onwards. In my work, the counter-tenor sings the Hebrew texts in English, while Lorca’s poems are sung by the female chorus in the original Spanish. The orchestral palette chosen to surround these voices is specific and intentionally reduced, the only wind being a pair of oboes and a quartet of horns, while a full string section is complemented by two harps and metallic percussion. Dream of the Song ends in simultaneous poetic visions of dawn, conceived a millennium apart."
The Prelude to Parsifal of Richard Wagner, between mystery and spirituality, opens this concert which concludes with the First Symphony in C minor op. 68, of Johannes Brahms.
In the same place
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What are the relationships between a spider's growth, the sound experience of radiotherapy and the lights and clicking sounds of old-fashioned slide viewers? The work of Clara Iannotta, of which this concert offers a journey through its recent years, is a mode of self-knowledge, or an autobiography in which sound and body are intimately linked.
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Heiner Goebbels A House of Call – My Imaginary Notebook
A House of Call, a vast, lavishing, Babylonian imaginary notebook of Heiner Goebbels' travels around the world, is a sum total of sounds, styles, languages, cultures and voices. It brings us the voices of the living and the dead, recorded over the course of just over a century. Its orchestra responds to the grains of these voices, thereby renewing a centuries-old tradition of responsorial art.