Collectif In Vitro Julie Deliquet
Des années 70 à nos jours…
© Nous sommes seuls maintenant © Sabine Bouffelle ©
© Des années 70 à nos jours…© Sabine Bouffelle ©
La Noce de Bertolt Brecht
Directed by, Julie Deliquet assisted by Julie Jacovella
Translation, Magali Rigaill © L’Arche Éditeur
With Julie André, Gwendal Anglade, Anne Barbot, Olivier Faliez, Pascale Fournier, Jean-Christophe Laurier, Agnès Ramy, Richard Sandra, David Seigneur
Stage design, Charlotte Maurel
Lighting design, Jean-Pierre Michel
Production, administration, Cécile Jeanson, Bureau FormART
A production by Collectif In Vitro // With support from Arcadi, Théâtre de Vanves (company in residence) and Théâtre d’Alfortville // The piece was first presented on 3rd May 2011 at Théâtre de Vanves
Derniers remords avant l’oubli de Jean-Luc Lagarce
Directed and stage design by, Julie Deliquet
With Julie André, Gwendal Anglade, Eric Charon, Olivier Faliez, Agnès Ramy, Annabelle Simon
Video, Mathilde Moières
Lighting design, Richard Fischler, Jean-Pierre Michel
Sound design, David Georgelin
Production, administration, Cécile Jeanson, Bureau FormART
A production by Collectif In Vitro // With support from Arcadi, Mairie de Paris, Théâtre de Vanves (company in residence) // The piece was first presented in June 2009 at Théâtre 13 (Paris) as part of the Young directors competition in 2009
Nous sommes seuls maintenant, collective creation
Directed by, Julie Deliquet
With Julie André, Gwendal Anglade, Anne Barbot, Eric Charon, Olivier Faliez, Pascale Fournier, Julie Jacovella, Jean-Christophe Laurier, Agnès Ramy, Richard Sandra, David Seigneur, Annabelle Simon
Stage design, Charlotte Maurel, Julie Deliquet
Lighting design, Jean-Pierre Michel assisted by Laura Sueur
Production, administration, Cécile Jeanson, Bureau FormART
A production by Collectif In Vitro // Coproduction with Théâtre Romain Roland de Villejuif ; Théâtre Gérard Philipe de Champigny sur Marne // With production funding from Ministère de la Culture et de la Communication- Drac Île-de-France, and d'Arcadi // With support from Fonds SACD Théâtre; Conseil Général du Val-de-Marne 94; de l'Adami; Studio-Théâtre de Vitry; Théâtre de Vanves; Comédie de Valence; Ferme du Buisson; scène nationale de Marne-La-Vallée; Théâtre de la Ville-Paris // The show was first presented on 5th November 2013 at Théâtre Romain Roland (Villejuif)
In collaboration with Théâtre de la Ville-Paris; Festival d’Automne à Paris (for performances 18 to 28 September) // Collectif in Vitro is an associate of the TGP. // With support from Adami // This Triptych is part of the Parcours d’auteurs artistic and cultural education program supported by the SACD.
Triptych: La Noce de Bertolt Brecht / Derniers remords avant l’oubli by Jean-Luc Lagarce /Nous sommes seuls maintenant, collective creation
Three decades and three shows unfurl around the dining-room table, during a protracted, rocambolesque dinner. The first piece, La Noce by Bertolt Brecht, conjures up the marriage of Jacob and Maria, transposed to the 1970’s. The second, Dernier remords avant l’oubli by Jean-Luc Lagarce is rooted in the late 1980’s, and sees the coming together of old acquaintances Hélène, Paul and Pierre prior to the sale of the house they bought together 1968. A third piece was born from the sum total of these “baby boom” characters, from the desire to see them age, and imagine to what extent their dreams figure in the eyes of their children. Devised collectively and improvised every evening, Nous sommes seuls maintenant is set in a house in Deux Sèvres in the 1990’s, and sees Bulle, 20 years old, observing her older siblings, former youngsters, of the eternally-young variety, settling bills and old scores. This fresco-like chorus work resembles a saga of the generations, played out amidst a sea of wine bottles and dispelled utopias. Des années 70 à nos jours reenacts the birth of In Vitro, a young artists’ collective, eager to bring the joy of the actor back to the forefront. In any case, for Julie Deliquet, the director at the head of this group, founded in 2009, these are the rules of the game : every night different situations are improvised on an almost bare stage, void of wings. The actors are kept on their toes - alert and alive - and are able to summon up the energy of the rehearsals. The result is theatre which constantly reinvents itself, before our eyes, along with the inevitable flops and sudden, magical, urges.
In the same place
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Mohamed El Khatib furthers his passion for documentary theatre by tackling a subject that he brings from out of the shadows, namely that of eroticism and the love lives of “oldies”. Put together in a daring yet tender way, his new piece explores this theme from the perspective of desire, thereby going against the usual connotations associated with old age.
Jérôme Combier, Alberto Posadas, Salvatore Sciarrino
The music of Jérôme Combier opens up the way we listen to the details of the world and their subtle mutations. Poetic, and punctuated by mysterious outbursts, his music celebrates a plasticity which in turn shapes its instrumental and electronic elements. Strands, his latest work, sets up relationships between the animal and plant worlds, weaving spider's web-like threads between.