Grand Magasin
Inventer de nouvelles erreurs
novembernov 5 – 15
© © Grand Magasin ©
An experiment by Grand Magasin
With Bettina Atala, François Gremaud, Michèle Gurtner, François Hiffler, Tom Johnson, Pascale Murtin, and Diederik Peeters
Sopranos, Elisa Doughty and Aviva Timonier
Flautists, Amélie Berson, and Alessandra Giura Longo
Music, Tom Johnson
Additional songs, Grand Magasin
Lighting, stage manager, Nicolas Barrot
Sales, Christine Bombal
Outfits Adviser, Virginie Petit
Executive producer Grand Magasin // A coproduction with Théâtre National de Toulouse – centre dramatique national ; Le Manège de Reims scène nationale ; Le Parc de la Villette à Paris as part of the artist residencies ; Théâtre de L’Arsenic à Lausanne ; T2G –Théâtre de Gennevilliers, centre dramatique national de création contemporaine ; Célestins Théâtre de Lyon, TAP Scène Nationale de Poitiers, MC2 Grenoble, La Comédie de Clermont-Ferrand Scène Nationale, Centre Dramatique National Orléans Loiret Centre, CNCDC Châteauvallon, le phénix scène nationale Valenciennes, Théâtre Vidy-Lausanne. Festival d’Automne à Paris // In collaboration with T2G – Théâtre de Gennevilliers, centre dramatique national de création contemporaine ; Festival d’Automne à Paris // Grand Magasin is supported by the Ministère de la Culture et de la Communication (DRAC-Île-de-France) and by the Conseil général du Val-de-Marne. // This piece is part of the Parcours d’auteurs artistic and cultural education project supported by SACD.
In partnership with France Culture
Pascale Murtin and François Hiffler, two artists working in tandem under the name of Grand Magasin, like to catalogue things: lists of individuals classified by size or type of toes, incongruous equations, and other odd categories. They catalogue things which were never meant to be catalogued, using rational methods and repetitive logic. Since the start of the 1980’s, this obsession has given rise to pieces of theatre with surprising titles, along the lines of Bilan de compétences or 25 chansons trop courtes et quelques unes plus longues. These “anti-shows” owe less to the heritage of French theatre than they do to literary and visual arts experimentation.
Here, these spiritual sons of Georges Perec or Robert Filou continue their minute, detailed explorations into the realms of the infra-ordinary, tautology and different poetic forms via a musical commission made to the American composer Tom Johnson to compose a minimalist work. Inventer de nouvelles erreurs or (or Looking for New Mistakes) brings together two sopranos, two flautists and a choir of six performers in order to explore the question of “tiny differences”. It was Leibniz who commented on them in An Essay Concerning Human Understanding. He recalled a certain princess who, whilst walking in her garden, uttered her belief that no two leaves could be “exactly the same”. In the hands of Grand Magasin, this libretto has been turned into an improbable comparative study, and forms the basis for a “one-minute opéra”. Its construction is reminiscent of the Broadway “off-stage comedy” genre, which shows the work itself but also the different stages of its making.
In the same place