Alessandro Sciarroni

JOSEPH_kids

Archive 2014
Dance

Choreography, Alessandro Sciarroni
With Michele Di Stefano and Marco D’Agostin (Maison des Arts Créteil and Théâtre Louis Aragon) or Amy Bell (CENTQUATRE-PARIS) // Dramaturgical consultant, Antonio Rinaldi
Development and promotion, Lisa Gilardino

A production by Corpoceleste_C.C.00# // A coproduction with Armunia/Festival Inequilibrio // With support from MARCHE TEATRO Teatro Stabile Pubblico // In collaboration with Maison des Arts Créteil ; Festival d’Automne à Paris (for performances on 2 to 4 October) In conjunction with CENTQUATRE-PARIS (for performances on 25 and 26 September) // As part of the Festival TEMPS D’IMAGES 2014 in collaboration with CENTQUATRE-PARIS and ARTE (for performances on 25 and 26 September). // In collaboration with Teatro Pubblico Pugliese / La Scena dei Ragazzi

The piece was first presented on 6 July 2013 at Castiglioncello (Livorno) as part of the Festival Inequilibrio

Alessandro Sciarroni, choreographer and theatre director, constructs intriguing stage objects on the border between dance, performance art and ritual anthropology. He makes use of the body as a medium, analytical tool and testing ground, all at the same time. He connects its energy up to diverse contexts, sensing its resistance and sounding out its limits, in order to blur its perception and widen its scope for action. FOLK-S is the     departure point for a triptych in which different movement forms are taken out of their original context, so that we can examine their construction and reactivate them in the present. In FOLK-S, the Schuhplatter, a Bavarian folklore dance consisting of slapping your shoes, is reduced to its most basic form. Starting off with an unceasing, constantly repeated rhythmic sequence, the performance space becomes redefined. Soli and duos emerge, following a logic of their own, and the group transforms itself, like an ever-changing organic matter of some sort. Between constraint and autonomy, play and trance, FOLK-S invites us to take part in an extreme, perception-based experience centering on the multiple variations that a form can have to the point of its depletion. In UNTITLED, the question of individual and collective adherence to the rule is looked at, via the art of juggling. Far from being a circus act, the piece is a metaphysical suspension in which bodies struggle against gravity, exhaustion and concentration - in a balancing act with time. JOSEPH_kids, a show for all ages, sees the revival of a choreographic self-portrait created in 2011, posing the question of the performer’s blind spot: how can you see yourself dance? With the aid of a webcam relay, Alessandro Sciarroni presents us with a morphing, during which individual image transformation in the digital technology era is captured live. Distorted, duplicated, disguised, half-monster, half-grotesque, Joseph takes us on a playful journey drawing upon the collective imagination, and which reflects the capacity for self-invention and image appropriation that all children experience as they look into the mirror.    

In the same place

CENTQUATRE-PARIS
octoberoct 5 - november - nov 5

LIMINAL, Forensic Oceanography, Border Forensics
From Sea to Sky

Visual arts
Free

Featuring different works by the LIMINAL, Forensic Oceanography and Border Forensics collectives, the multimedia installation From Sea to Sky approaches intersectional immobility and frontier-based violence at sea. The objective is to highlight the way in which the Mediterranean maritime space has been transformed into a militarized border zone.

CENTQUATRE-PARIS
octoberoct 5 - 10

Lawrence Abu Hamdan
Zifzaafa

Performance
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Zifzaafa, is an arabic word to describe a wind that shakes and rattles all in its path.  Here, it becomes the title of a performance of artist and researcher Lawrence Abu Hamdan, that enmeshes sonic composition, video game engines and spoken word, to immerse us in the heart of a movement to resist green colonialism in the occupied Syrian Golan heights. 

CENTQUATRE-PARIS
novembernov 5 - 8
Maison de la musique de Nanterre – Scène conventionnée d’intérêt national
novembernov 9
Théâtre Louis Aragon, Scène conventionnée d’intérêt national Art et création – danse – Tremblay-en-France
novembernov 30

Alessandro Sciarroni
U. (un canto)

Performance
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A year after the premier of IRIS at the Butte-aux-Cailles swimming pool, commissioned by the Festival d'Automne, in which he explored the Italian polyphonic repertoire, Alessandro Sciarroni brings us U. (un canto). This music-based performance piece evokes the profoundly mysterious relationship between human beings and nature.

Théâtre de la Ville – Sarah Bernhardt
octoberoct 3 - 5
Maison des Arts de Créteil
novembernov 6 - 7

Lola Arias
Los días afuera

Theatre
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At the crossroads between musical and documentary, Lola Arias brings us a choral composition in which six female former inmates talk about their lives during and after incarceration. Their six intertwining destinies raise questions about the various forms of violence present in contemporary society, whilst exploring the margins of fiction and reality at the same time.

CENTQUATRE-PARIS
decemberdec 4 - 8

Lina Majdalanie, Rabih Mroué
Quatre murs et un toit

Theatre Portrait
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In 1947, the trial of German playwright Bertolt Brecht took place in the United States in front of the House Un-American Activities Committee (HUAC), responsible for combating communist activism. It was here that Brecht wrote a declaration which he was forbidden to read out. The minutes of the trial, as well as this declaration, constitute one of the axes of this exuberant show.