Willem Dafoe / Mikhail Baryshnikov / Robert Wilson
The Old Woman
The Old Woman adaptation of Daniil Kharms novella
Direction, Robert Wilson
Set, Lighting Design, Robert Wilson
With Mikhail Baryshnikov and Willem Dafoe
Adaptation, Darryl Pinckney
Costumes, Jacques Reynaud
Set Collaboration, Annick Lavalle-Benny
Light, A.J. Weissbard
Music Responsible, Hal Willner
A Baryshnikov Productions, Change Performing Arts et The Watermill Center // Commission and production Manchester
International Festival ; Spoleto Festival dei 2Mondi ; de Singel Anvers ; Théâtre de la Ville-Paris ; Festival d’Automne à Paris //
Corealisation Théâtre de la Ville-Paris ; Festival d’Automne à Paris // With the support of Pierre Bergé // With the support of agnès b. //
Premiered the 4 of July 2013 at Manchester International Festival
Partnership with France Inter
Robert Wilson revisits the work of Daniil Kharms, a playwright who was part of the Russian avant-garde and died in exile in 1942. The story begins as several old women fall off from their windows, from being too curious. It showcases two multi-talented performers of international scope, Mikhail Baryshnikov and Willem Dafoe.
In the same place
Anne Teresa De Keersmaeker, Radouan Mriziga / Rosas, A7LA5 Il Cimento dell’Armonia e dell’Inventione
In collaboration with the choreographer and dancer Radouan Mriziga, the challenge taken up by Anne Teresa De Keersmaeker is to make Vivaldi's Four Seasons heard, using the tools of dance to hone the way we listen to this baroque masterpiece. Under the auspices of abstraction, the resulting alliance reconnects with the imaginary ecological world that is conjured up by this famous concerto.
Rabih Mroué Who’s Afraid of Representation?
We find ourselves in the company of major figures of European Body Art (Joseph Beuys, Orlan, Marina Abramović, to name a few) via their accounts of exhibitions and public scarifications dating back to the 1970s. In parallel with this runs the true story of a killing spree carried out by a Lebanese office at his workplace, and the fluctuating motivations for his acts.
Lola Arias Los días afuera
At the crossroads between musical and documentary, Lola Arias brings us a choral composition in which six female former inmates talk about their lives during and after incarceration. Their six intertwining destinies raise questions about the various forms of violence present in contemporary society, whilst exploring the margins of fiction and reality at the same time.
Robert Wilson PESSOA – Since I've been me
The hero of this new work by Robert Wilson is Fernando Pessoa. And a paradoxical hero at that. The Portuguese poet spent his life 'multiplying himself', inventing heteronyms, or fictitious authors, to whom he attributed works he himself wrote. He even went as far as to invent relationships, either amicable ones or from master to disciple, between his different avatars.
Jan Martens VOICE NOISE
In this breakthrough piece for Jan Martens, VOICE NOISE brings together six dancers to shape a soundscape comprising some of the great female performers and composers of our time. In his own pop-inspired and precise way, the choreographer questions a very contemporary story, and in doing so raises the question of how some of these voices were silenced.