Toshiki Okada
Ground and Floor
© Fumiko Okada ©
Ground and Floor
Playwriting and Direction, Toshiki Okada
With Taichi Yamagata, Makoto Yazawa, Yukiko Sasaki, Mari Ando, Izumi Aoyagi
Set Design, Shusaku Futamura
Music, Sangatsu
Dramaturgy, Sebastian Breu
Costumes, Yuko Ikeda
Stage Director, Koro Suzuki
Sound, Norimasa Ushikawa
Light, Tomomi Ohira
Video, Shimpei Yamada
French Translation, Mathieu Capel et Hirotoshi Ogashiwa
Producer, Akane Nakamura
Company Manager, Tamiko Ouki
Production Kunstenfestivaldesarts (Bruxelles) // Producteur exécutif chelfitsch (Tokyo) // Associated Production precog (Tokyo) //
Coproduction Hebbel am Ufer/HAU (Berlin) ; La Bâtie – Festival de Genève ; KAAT (Kanagawa Arts Theater) ; Kyoto Experiment ; De Internationale Keuze van de Rotterdamse Schouwburg ; Dublin Theatre Festival ; Théâtre Garonne (Toulouse) ; Onassis Cultural Center (Athens) ; Les Spectacles vivants – Centre Pompidou (Paris) ; Festival d’Automne à Paris // Corealisation Les Spectacles vivants – Centre Pompidou (Paris) ; Festival d’Automne à Paris // Special Thanks to Steep Slope Studio and Nao Kusumi //
Premiered the 22 of May 2013 at Kunstenfestivaldesarts (Bruxelles)
With the support of The Agency for Cultural Affairs Government of Japan in the fiscal 2013 // With the support of ONDA, Office national de diffusion artistique // With the support of Fondation Franco-Japonaise Sasakawa, and The Japan Foundation (Performing Arts Japan Program for Europe) and Fondation pour l’étude de la langue et de la civilisation japonaises sous l’égide de la Fondation de France
Known for his “danced theater” based on everyday gestures, Toshiki Okada – together with his company chelfitsch – opens a new chapter in his career. Created in the aftermath of the March 2011 earthquake and nuclear accident in Japan, Current Location questions the notion of change in a world where reality appears uncertain, while Ground and Floor reflects on mobility and memory.
In the same place
Mathilde Monnier Territoires
In Territoires, Mathilde Monnier will be taking over the galleries of the Centre Pompidou during the course of a weekend in order to bring us a piece that deals with memory and circulation, "a collection of gestures from her work over the past thirty years". In doing so, the choreographer sets up the possibility of playing out memory in the present, from now onwards, or by means of anticipation.
Apichatpong Weerasethakul Rétrospective
Apichatpong Weerasethakul presents the complete retrospective of his films at the Centre Pompidou. It consists of his eight feature films, thirty or so short (and rare) films, various collective works, and two feature films produced by him.
Apichatpong Weerasethakul Night Particles
The Thai filmmaker Apichatpong Weerasethakul is guest at the Festival d'Automne and Centre Pompidou. His exhibition, featuring around ten video installations, transforms the former solarium into a nocturnal space inhabited by biographical and architectural reminiscences.
Apichatpong Weerasethakul A Conversation with the Sun (VR)
A Conversation with the Sun (VR), the Thai filmmaker's second foray into the realm of performance, uses virtual reality to set up the conditions for a collective dream.
Ligia Lewis Still Not Still
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Forced Entertainment Signal to Noise
Over its forty years of existence, with Tim Etchells at the helm, the company has never stopped reinventing itself. And it continues to do so. Amidst an oscillating form of virtual reality, six performers find themselves deprived of their voices and their entire beings. The whole thing goes beyond all understanding... Welcome to this new world.
Sébastien Kheroufi Par les villages
Sébastien Kheroufi discovered Peter Handke's Par les villages at the onset of his artistic career. It evokes a writer's return to his native village. Amidst the twilight setting in which one universe declines in favour of another, the voices of the “offended and humiliated” break their silence.