Marcelo Evelin
Matadouro
Matadouro
Conception, Marcelo Evelin
Demolition Inc. + Núcleo do Dirceu
With Alexandre Santos, Andrez Lean Ghizze, Cipó Alvarenga, Cleyde Silva, Datan Izaká, Fagão, Fábio Crazy da Silva, Izabelle Frota, Jaap Lindijer, Jacob Alves, Josh S., Kayo Arruda, Layane Holanda, Marcelo Evelin, Regina Veloso, Sérgio Caddah, Silvia Soter
Corealisation Théâtre de la Cité internationale (Paris) ; Festival d’Automne à Paris
With the support of Funarte (2008) et de la Lei de Incentivo Estadual do Governo do Piauí/SIEC/FUNDAC
Performance was in artistic residence in the Hetveem Theater (Amsterdam) and at Centre Chorégraphique de Rio de Janeiro
Special thanks to Christine Greiner, João Pimenta, Judith Schonenveld, Loes van der Pligt, Marcel Bogers, Renate Zentschnig, Reginaldo Carvalho, Rogério Ortiz, Sérgio Matos, Wilena Weronez, Yang Dallas
Premiered Novembre 2010 at Panorama Festival de Dança (Rio de Janeiro)
The third opus of a trilogy which began with Sertao (2003) and Bull Dancing (2006), Matadouro is based on the story of a community’s fight for social justice in the XIXth century.
Eight dancers, naked and their face masked, perform an enigmatic ritual aimed at an evasive enemy. After residing several years in Europe, Marcelo Evelin questions his home
country’s history and identity.
In the same place
Steven Cohen Boudoir
If, up until now, the performances of the South African artist have consisted of exposing himself onstage or in public spaces, in his latest piece Steven Cohen plays host to audiences from within the confines of an intimate, private space, the boudoir. The latter, a chapel or refuge, becomes a place in which he gathers up his memories of his past - as well as those of the last century, gruesome though they may be.
Lina Majdalanie, Rabih Mroué Photo-Romance
How do we go about presenting the adaptation of a famous film to the Lebanese authorities in charge of censorship? We come to realize that it is about a film which recounts the improbable encounter between two very dissimilar individuals both of whom are experiencing social alienation in fascist Italy in 1938. The adaptation is set in Beirut in 2007, shortly after an Israeli attack on Lebanon.