Latifa Laâbissi
Adieu et merci
Adieu et merci
Conception and interpretation, Latifa Laâbissi
scenography, Nadia Lauro
Costume, Nadia Lauro, Latifa Laâbissi
Lighting Design, Yves Godin
Sound Design, Manuel Coursin
Technical Direction, Ludovic Rivière
Production Figure Project – Rennes // Delegated Production Latitudes Prod – Lille (www.latitudescontemporaines.com) // Coproduction Musée de la danse – CCNRB ; Théâtre National de Bretagne – Rennes ; Le Phare – CCN du Havre Haute-Normandie ; Open Latitudes network ; Le Vivat, scène conventionnée d’Armentières ; Institut français / Ville de Rennes ; Les Spectacles vivants – Centre Pompidou (Paris) ; Festival d’Automne à Paris // Coréalisation Les Spectacles vivants – Centre Pompidou (Paris) ; Festival d’Automne à Paris //
With the support of Tanzquartier Wien and CNDC Angers // Figure Project is helped by le Ministère de la Culture – DRAC Bretagne au titre des compagnies conventionnées, le Conseil régional de Bretagne, l’Institut français, la Ville de Rennes et Rennes métropole (http://figureproject.com) // With the support of Adami
“There are as many bows as there are possible endings”, Latifa Laâbissi writes. Actors’ bows at the end of a show are as much a convention as a threshold between the performance and the real world.
Exploring the ritual’s historic, generic and subjective dimensions, Laâbissi creates anthropological sketches and mixes times and places to reflect on the limits of the stage.
See also
Latifa Laâbissi, Manon de Boer Ghost Party (1)
Which voices nourish artistic practices? In parallel with the exhibition "Chantal Akerman. Travelling" presented at the Jeu de Paume art centre, the artist Manon de Boer and choreographer Latifa Laâbissi conjure up a space in which voice and gesture seek to understand the meaning of artistic genealogies.
Latifa Laâbissi, Antonia Baehr Cavaliers impurs In a visual installation by Nadia Lauro
Following on from Consul and Meshie, Latifa Laâbissi and Antonia Baehr bring us a duo in the form of a series of heterogeneous sequences, interlinked by a common thread of the impure, hybridization and collage. They combine their respective vocabularies, such as the relationship with the expressiveness of the face, and the crossing of genres, registers. Over the course of different numbers or acts, Laâbissi and Baehr interweave their respective universes, thereby overturning the various choreographic codes and blurring the frontiers.
In the same place
Mathilde Monnier Territoires
In Territoires, Mathilde Monnier will be taking over the galleries of the Centre Pompidou during the course of a weekend in order to bring us a piece that deals with memory and circulation, "a collection of gestures from her work over the past thirty years". In doing so, the choreographer sets up the possibility of playing out memory in the present, from now onwards, or by means of anticipation.
Apichatpong Weerasethakul Complete retrospective of films and videos
Apichatpong Weerasethakul presents the complete retrospective of his films at the Centre Pompidou. It consists of his eight feature films, thirty or so short (and rare) films, various collective works, and two feature films produced by him.
Apichatpong Weerasethakul Night Particles
The Thai filmmaker Apichatpong Weerasethakul is guest at the Festival d'Automne and Centre Pompidou. His exhibition, featuring around ten video installations, transforms the former solarium into a nocturnal space inhabited by biographical and architectural reminiscences.
Apichatpong Weerasethakul A Conversation with the Sun (VR), extended edition
The Thai filmmaker's second foray into performance art, A Conversation with the Sun (VR), extended edition, presented in Paris in a new version enhanced by a third part, uses virtual reality to create the conditions for a collective dream.
Ligia Lewis Still Not Still
In Still Not Still, choreographer Ligia Lewis pursues her exploration into the silences and shadows of history. In this piece, the performers play out a score over and over again, the burlesque dimension of which makes it all the more tragic.
Forced Entertainment Signal to Noise
Over its forty years of existence, with Tim Etchells at the helm, the company has never stopped reinventing itself. And it continues to do so. Amidst an oscillating form of virtual reality, six performers find themselves deprived of their voices and their entire beings. The whole thing goes beyond all understanding... Welcome to this new world.
Sébastien Kheroufi Par les villages
Sébastien Kheroufi discovered Peter Handke's Par les villages at the onset of his artistic career. It evokes a writer's return to his native village. Amidst the twilight setting in which one universe declines in favour of another, the voices of the “offended and humiliated” break their silence.